mirror of
https://github.com/historicalsource/borderzone
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2961 lines
86 KiB
Plaintext
2961 lines
86 KiB
Plaintext
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"BYSTANDER for
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BORDER ZONE
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(c) Copyright 1987 Infocom, Inc. All Rights Reserved."
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<ROOM PLATFORM-1
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(LOC ROOMS)
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(DESC "Platform, North End")
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(SOUTH PER PLATFORM-MOVE-2)
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(NORTH SORRY
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"The platform ends here at a tall fence, marking the actual border between
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Frobnia and Litzenburg.")
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(WEST SORRY
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"A guard prevents you from boarding the train. \"Nye mneshna pletska bli!\"")
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(GLOBAL PLAT-TRAIN PLAT-GUARDS PLAT-PEOPLE PLAT-FENCE)
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(FLAGS PLATFORMBIT)
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(ACTION PLATFORM-ROOM-F)>
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<OBJECT PLAT-FENCE
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(LOC LOCAL-GLOBALS)
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(DESC "fence")
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(SYNONYM FENCE)
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(ADJECTIVE BORDER)
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(ACTION PLAT-FENCE-F)>
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<ROUTINE PLAT-FENCE-F ()
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<COND (<VERB? EXAMINE>
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<TELL
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"The fence is perhaps twenty feet tall, and virtually unscalable. It's
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a good thing you have a ticket." CR>)>>
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<ROOM PLATFORM-2
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(LOC ROOMS)
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(DESC "Train Platform")
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(NORTH PER PLATFORM-MOVE-1)
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(SOUTH PER PLATFORM-MOVE-3)
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(WEST SORRY
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"A guard prevents you from boarding the train. \"Nye mneshna pletska bli!\"")
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(GLOBAL PLAT-TRAIN PLAT-GUARDS PLAT-PEOPLE)
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(FLAGS PLATFORMBIT)
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(ACTION PLATFORM-ROOM-F)>
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<ROOM PLATFORM-3
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(LOC ROOMS)
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(DESC "Train Platform")
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(NORTH PER PLATFORM-MOVE-2)
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(SOUTH PER PLATFORM-MOVE-4)
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(WEST SORRY
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"A guard prevents you from boarding the train. \"Nye mneshna pletska bli!\"")
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(GLOBAL PLAT-TRAIN PLAT-GUARDS PLAT-PEOPLE)
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(FLAGS PLATFORMBIT)
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(ACTION PLATFORM-ROOM-F)>
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<ROOM PLATFORM-4
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(LOC ROOMS)
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(DESC "Platform, South End")
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(NORTH PER PLATFORM-MOVE-3)
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(SOUTH SORRY
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"The platform ends here, and a guard prevents you from going any farther.")
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(WEST SORRY
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"A guard prevents you from boarding the train. \"Nye mneshna pletska bli!\"")
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(GLOBAL PLAT-TRAIN PLAT-GUARDS PLAT-PEOPLE)
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(FLAGS PLATFORMBIT)
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(ACTION PLATFORM-ROOM-F)>
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<ROUTINE PLATFORM-MOVE-1 ()
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<PLATFORM-MOVE ,PLATFORM-1>>
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<ROUTINE PLATFORM-MOVE-2 ()
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<PLATFORM-MOVE ,PLATFORM-2>>
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<ROUTINE PLATFORM-MOVE-3 ()
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<PLATFORM-MOVE ,PLATFORM-3>>
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<ROUTINE PLATFORM-MOVE-4 ()
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<PLATFORM-MOVE ,PLATFORM-4>>
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<GLOBAL FOLLOW-WARNING <>>
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<GLOBAL FOLLOW-SURE <>>
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<ROUTINE PLATFORM-MOVE (RM)
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<TELL
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"You walk slowly through the crowd">
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<COND (<NOT <IN? ,CONTACT ,HERE>>
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<TELL ", eyes open but totally in the dark
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regarding the nature of your contact">)>
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<TELL ".">
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<COND (<AND <G? ,SUSPICION 0>
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<NOT ,FOLLOW-WARNING>>
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<SETG FOLLOW-WARNING T>
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<TELL " It's probably nothing, but you could swear
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that a man you see behind you was also behind you before you started
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walking.">)
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(<AND ,FOLLOW-WARNING <NOT ,FOLLOW-SURE>>
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<COND (<PROB 40>
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<SETG FOLLOW-SURE T>
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<TELL
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" There he is again, ducking behind a group of tourists. It's all but
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certain you're being followed!">)
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(T
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<TELL
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" You nonchalantly look around, and are relieved that the man you
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saw earlier is no longer around.">)>)>
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<COND (<EQUAL? .RM ,PLATFORM-1>
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<TELL CR CR
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"You've come to the northern end of the platform now, and you can see in the
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distance the darkness that is Litzenburg.">)
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(<EQUAL? .RM ,PLATFORM-4>
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<TELL CR CR
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"You've arrived at the platform's southern end, and can look back into
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Frobnia, sighting its formidible border defenses: guard towers, searchlights,
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patrols, guard dogs - God knows what else. It's a whole lot better to have a
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ticket, and you smile, realizing that it's not easy this way either.">)>
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<CRLF>
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<SETG DONT-DESCRIBE-ROOM T>
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.RM>
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<ROUTINE PLATFORM-ROOM-F (RARG)
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<COND (<EQUAL? .RARG ,M-LOOK>
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<TELL
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"The platform itself is
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the same size as the trains which cross the border here - four
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train-lengths - a hundred yards or so. The train you arrived on is
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standing here, each entrance door guarded so as to prevent passengers
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from reboarding until the train is ready to leave. Why? Don't ask." CR>
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<TELL CR
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"There are people everywhere, milling back and forth - men, women, even
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a few children. And then there are the guards, the ones you can see, and,
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more troublesome, the ones you can't." CR CR>
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<COND (<EQUAL? ,HERE ,PLATFORM-1>
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<TELL
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"Right now, you're standing at the northern end of the platform. Looking
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ahead, you can see the darkness that is Litzenburg at night. In just a few
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minutes, you hope to be there ... after making your contact." CR>)
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(<EQUAL? ,HERE ,PLATFORM-2>
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<TELL
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"You're now alongside the second car." CR>)
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(<EQUAL? ,HERE ,PLATFORM-3>
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<TELL
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"You're now alongside the third car." CR>)
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(T
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<TELL
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"You're at the southern end of the platform. Looking back into Frobnia,
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you can start to make out the border defenses of Frobnia. Incredible.
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Guard towers. Searchlights. Patrols. Guard dogs. God knows what else.
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Better to have a ticket. You smile, thinking that even then it's not all that
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easy!" CR>)>)>>
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<OBJECT PLAT-GUARDS
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(LOC LOCAL-GLOBALS)
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(DESC "guard")
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(SYNONYM GUARD GUARDS)
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(FLAGS PERSON)
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(ACTION PLAT-GUARDS-F)>
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<ROUTINE PLAT-GUARDS-F ()
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<COND (<VERB? EXAMINE>
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<TELL
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"There guards here are many and close between, to twist a phrase. They
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are all in uniform - well, you think so, in any case. Each is constantly
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looking about for whatever happens to be illegal on this particular day." CR>)
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(<HURT? ,PLAT-GUARDS>
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<TELL
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"To what end? The jails are not known for their comfort or amenities." CR>)>>
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<OBJECT PLAT-PEOPLE
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(LOC LOCAL-GLOBALS)
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(DESC "crowd of people")
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(SYNONYM PEOPLE MEN WOMEN CHILDREN CROWD THRONG)
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(ACTION PLAT-PEOPLE-F)>
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<ROUTINE PLAT-PEOPLE-F ()
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<COND (<VERB? EXAMINE>
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<TELL
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"There are quite a large number of people here on the platform - maybe a
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few hundred or more - men, women, children - and no idea of who your
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contact is to be." CR>)
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(<VERB? SEARCH>
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<TELL
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"You stare at the people in the crowd, but it's no use. You have no idea
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who the contact might be." CR>)>>
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<OBJECT GLOBAL-CONTACT
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(LOC GLOBAL-OBJECTS)
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(DESC "contact")
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(SYNONYM CONTACT)
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(ACTION GLOBAL-CONTACT-F)>
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<ROUTINE GLOBAL-CONTACT-F ()
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<COND (<NOT <EQUAL? ,SCENARIO 1 3>>
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<TELL
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"You must be thinking of another scenario." CR>)
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(<EQUAL? ,SCENARIO 3>
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<COND (<VERB? FIND WHERE>
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<TELL
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"Your contact is Riznik, the antique dealer. His business card clearly
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shows how to find him." CR>)>)
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(<IN? ,CONTACT ,HERE>
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<COND (<EQUAL? ,PRSO ,GLOBAL-CONTACT>
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<PERFORM ,PRSA ,CONTACT ,PRSI>)
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(T
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<PERFORM ,PRSA ,PRSO ,CONTACT>)>
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<RTRUE>)
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(<VERB? FIND WHERE>
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<TELL
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"You have almost nothing to go on, but in any event, the contact was
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supposed to find you at the station platform." CR>)
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(T
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<TELL
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"You can't see your contact here, or if you can, you don't know it." CR>)>>
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<GLOBAL SMALL-NUMS-TBL
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<PLTABLE "one compartment"
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"two compartments"
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"three compartments"
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"four compartments"
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"five compartments">>
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<OBJECT GLOBAL-COMPARTMENT
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(LOC GLOBAL-OBJECTS)
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(DESC "compartment")
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(SYNONYM COMPARTMENT)
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(ADJECTIVE MY)
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(SCENARIO 1)
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(ACTION GLOBAL-COMPARTMENT-F)>
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<ROUTINE GLOBAL-COMPARTMENT-F ()
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<COND (<VERB? FIND WALK-TO>
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<COND (<EQUAL? ,HERE ,COMP-5 ,PASS-5>
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<TELL "Right here." CR>)
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(T
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<TELL
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"It's the southmost compartment along the passageway." CR>)>)
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(<VERB? ENTER>
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<COND (<EQUAL? ,HERE ,PASS-5>
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<DO-WALK ,P?IN>
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<RTRUE>)
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(<EQUAL? ,HERE ,COMP-5>
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<TELL "Right here." CR>)
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(<OR <EQUAL? ,HERE ,PASS-2 ,PASS-3 ,PASS-4>
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<EQUAL? ,HERE ,PASS-1>>
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<DO-WALK ,P?WEST>
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<RTRUE>)
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(T
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<TELL ,GET-THERE-FIRST CR>)>)
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(<VERB? LEAVE DISEMBARK>
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<COND (<EQUAL? ,HERE ,COMP-5>
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<DO-WALK ,P?OUT>
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<RTRUE>)
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(T
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<TELL ,GET-THERE-FIRST CR>
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<RTRUE>)>)
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(<AND <VERB? LOOK-INSIDE>
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<NOT <EQUAL? ,HERE ,COMP-5>>>
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<PERFORM ,PRSA ,COMP-N-DOOR>
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<RTRUE>)
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(<VERB? EXAMINE>
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<COND (<EQUAL? ,HERE ,COMP-5>
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<PERFORM ,V?LOOK>
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<RTRUE>)
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(T
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<TELL "It's easier from inside." CR>)>)>>
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<CONSTANT GET-THERE-FIRST "You'll have to get there first.">
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<ROOM COMP-5
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(LOC ROOMS)
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(DESC "Your Compartment")
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(OUT PER COMP-EXIT)
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(EAST PER COMP-EXIT)
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(WEST SORRY "Your situation is serious, but not desperate.")
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(GLOBAL COMP-5-DOOR)
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(ACTION COMP-5-F)>
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<ROUTINE COMP-5-F (RARG)
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<COND (<EQUAL? .RARG ,M-LOOK>
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<TELL
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"This is your compartment on the train to Litzenburg. You were lucky enough
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to avoid having a roommate on this trip, so the two bench-style seats are
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more than enough. The compartment itself is quite simple - the two seats
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on either side, the openable window looking out over the nighttime landscape,
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the emergency stop cord, the luggage rack. It easily could be worse; this is
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the first-class car, after all. What little privacy exists on this train
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is in the form of a door to the east which is now ">
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<COND (<FSET? ,COMP-5-DOOR ,OPENBIT>
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<TELL "open">)
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(T
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<TELL "closed">)>
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<COND (<IN? ,COMP-BLOOD-STAIN ,HERE>
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;<NOT <FSET? ,COMP-BLOOD-STAIN ,INVISIBLE>>
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<TELL
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". A blood stain is noticeable on the floor here, a grim reminder of
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the task that lies ahead">)>
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<TELL ,PERIOD-CR>)
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(<EQUAL? .RARG ,M-ENTER>
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<FCLEAR ,COMP-5-DOOR ,OPENBIT>
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<RTRUE>)>>
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<OBJECT COMP-CORD
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(LOC COMP-5)
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(DESC "emergency stop cord")
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(SYNONYM CORD ROPE HANDLE)
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(ADJECTIVE EMERGENCY STOP)
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(FLAGS NDESCBIT)
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(ACTION COMP-CORD-F)>
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<ROUTINE COMP-CORD-F ()
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<COND (<VERB? PULL>
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<TELL
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"You pull the cord, but nothing happens. This doesn't surprise you,
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considering the train itself." CR>)
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(<VERB? EXAMINE>
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<TELL
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"It's just a piece of cord with a small wooden handle on the end." CR>)>>
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<OBJECT COMP-RACK
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(LOC COMP-5)
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(DESC "luggage rack")
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(SYNONYM RACK)
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(ADJECTIVE LUGGAGE)
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(FLAGS OPENBIT TRANSBIT SEARCHBIT NDESCBIT CONTBIT SURFACEBIT)
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(CAPACITY 100)
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(ACTION COMP-RACK-F)>
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<ROUTINE COMP-RACK-F ()
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<COND (<OR <VERB? OPEN CLOSE>
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<AND <VERB? EXAMINE> <NOT <FIRST? ,PRSO>>>>
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<TELL
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"It's just an open rack at your eye-level." CR>)>>
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<OBJECT COMP-SEAT-BACK
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(LOC COMP-5)
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(DESC "rear-facing seat")
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(SYNONYM SEAT BENCH)
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(ADJECTIVE BACK-FACING REAR-FACING REAR FACING)
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(FLAGS NDESCBIT CONTBIT SURFACEBIT OPENBIT SEARCHBIT)
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(CAPACITY 100)
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(ACTION COMP-SEAT-F)>
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<OBJECT UNDER-SEAT
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(LOC COMP-5)
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(DESC "space under the rear bench")
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(SYNONYM $XY)
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(FLAGS NDESCBIT CONTBIT OPENBIT SEARCHBIT TRANSBIT)>
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<OBJECT COMP-SEAT-FRONT
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(LOC COMP-5)
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(DESC "front-facing seat")
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(SYNONYM SEAT BENCH)
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(ADJECTIVE FRONT-FACING FORWARD-FACING FRONT FORWARD FACING)
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(FLAGS NDESCBIT CONTBIT SURFACEBIT SEARCHBIT OPENBIT)
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(CAPACITY 100)
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(ACTION COMP-SEAT-F)>
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<ROUTINE COMP-SEAT-F ()
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<COND (<VERB? EXAMINE>
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<TELL
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"The seats are simple wooden benches, with nothing to soften the ride.
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You are told that this is an improvement over second class, but it's
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difficult to imagine what this could mean.">
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<COND (<EQUAL? ,PRSO ,COMP-SEAT-BACK>
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<TELL " Further inspection reveals a narrow
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space under the seat.">)>
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<COND (<FIRST? ,PRSO>
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<TELL " ">
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<PERFORM ,V?LOOK-INSIDE ,PRSO>
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<RTRUE>)
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(T
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<CRLF>)>)
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(<VERB? CLIMB-ON BOARD>
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<TELL
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"You've always thought better on your feet, and there's no better time
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to be thinking." CR>)
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(<AND <VERB? PUT-UNDER> <EQUAL? ,PRSI ,COMP-SEAT-BACK>>
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<COND (<EQUAL? ,PRSO ,CAMERA-BAG ,BRIEFCASE ,CAMERA>
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<TELL "It's too bulky to fit." CR>
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<RTRUE>)>
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<MOVE ,PRSO ,UNDER-SEAT>
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<TELL
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"You slide the " D ,PRSO " under the rear-facing bench." CR>)
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(<VERB? LOOK-UNDER>
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<COND (<EQUAL? ,PRSO ,COMP-SEAT-FRONT>
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<TELL
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"The front-facing bench has no space underneath it; however, a quick look
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indicates that the rear bench has a narrow space underneath it." CR>)
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(T
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<PERFORM ,V?LOOK-INSIDE ,UNDER-SEAT>
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<RTRUE>)>)
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(<VERB? CRAWL-UNDER>
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<TELL
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"There's not enough room for you under the seat." CR>)
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(<AND <VERB? REACH-IN>
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<EQUAL? ,PRSO ,COMP-SEAT-BACK>>
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<TELL "You reach under the seat">
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<COND (<NOT <FIRST? ,UNDER-SEAT>>
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<TELL ", but come up empty." CR>)
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(T
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<TELL
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" and pull out the " D <FIRST? ,UNDER-SEAT> "." CR>
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<MOVE <FIRST? ,UNDER-SEAT> ,WINNER>)>)>>
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<OBJECT COMP-WINDOW
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(LOC COMP-5)
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(DESC "window")
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(SYNONYM WINDOW)
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(FLAGS NDESCBIT DOORBIT)
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(ACTION COMP-WINDOW-F)>
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<ROUTINE COMP-WINDOW-F ()
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<COND (<VERB? LOOK-INSIDE CLEAN>
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<PERFORM ,PRSA ,PASS-WINDOW>
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<RTRUE>)
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(<VERB? DISEMBARK LEAP-OFF ENTER EXIT>
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<TELL
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"Your situation is serious, but not desperate." CR>)
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(<AND <VERB? PUT-THROUGH PUT>
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<EQUAL? ,PRSI ,COMP-WINDOW>>
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<COND (<ULTIMATELY-IN? ,PASSPORT ,PRSO>
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<SETG PRSO ,PASSPORT>)
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(<ULTIMATELY-IN? ,TICKET ,PRSO>
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<SETG PRSO ,TICKET>)>
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<COND (<EQUAL? <LOC ,PRSO> ,GLOBAL-OBJECTS ,LOCAL-GLOBALS>
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<TELL "Funny." CR>)
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(<NOT <ULTIMATELY-IN? ,PRSO ,WINNER>>
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<TELL
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"You're not holding that." CR>)
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(<EQUAL? ,PRSO ,PASSPORT ,TICKET>
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<TELL
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"Without your " D ,PRSO
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", you won't be leaving Frobnia for a good long time." CR>)
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(<FSET? ,PRSI ,OPENBIT>
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<REMOVE-TO-BOTTOM ,PRSO>
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<TELL
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"The " D ,PRSO " goes through the window and out of your life." CR>)
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(T
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<TELL
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"The window's closed. Surely you don't mean through the window!" CR>)>)>>
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<OBJECT PASS-WINDOW
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(LOC LOCAL-GLOBALS)
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(DESC "window")
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(SYNONYM WINDOW)
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(ACTION PASS-WINDOW-F)>
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<ROUTINE PASS-WINDOW-F ()
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<COND (<VERB? CLEAN>
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<TELL
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"The windows are clean enough, at least by FNR standards." CR>)
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(<VERB? KICK MUNG>
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<TELL
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"With guards posted at either end of the car, and the level of tension high,
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you would only call attention to yourself." CR>)
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(<VERB? OPEN CLOSE>
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<TELL
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"The windows along the passageway aren't openable." CR>)
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(<VERB? LOOK-INSIDE>
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<COND (<RT-QUEUED? ,I-BAD-BORDER>
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<TELL
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"The landscape is dark and bleak; this is the area just preceding
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the border checkpoint." CR>)
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(,BAD-TUNNEL
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<TELL
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"From the sound of it, you're in a tunnel, and a long one at that.
|
|
There is only blackness punctuated by single trouble lights every
|
|
ten seconds or so." CR>)
|
|
(<RT-QUEUED? ,I-GORMNASH>
|
|
<TELL
|
|
"The train is sitting at the border station platform, which is
|
|
crowded with people." CR>)
|
|
(T
|
|
<TELL
|
|
"The sky is dark now, but you can see the occasional lights of small
|
|
villages here and there. You don't know exactly where you are, but
|
|
you are getting near the border checkpoint." CR>)>)>>
|
|
|
|
<OBJECT COMP-5-DOOR
|
|
(LOC LOCAL-GLOBALS)
|
|
(DESC "compartment door")
|
|
(SYNONYM DOOR)
|
|
(ADJECTIVE COMPARTMENT)
|
|
(FLAGS DOORBIT)>
|
|
|
|
<GLOBAL GUARD-NOTICE-FLAG <>>
|
|
|
|
<OBJECT GLOBAL-BAD-SPY
|
|
(LOC GLOBAL-OBJECTS)
|
|
(DESC "man in the trench coat")
|
|
(SYNONYM MAN SPY VIPER)
|
|
(ADJECTIVE BAD)
|
|
(SCENARIO 1)
|
|
(TRANSIENT <PLTABLE PASS-1 PASS-2 PASS-3 PASS-4 PASS-5 PASS-6
|
|
COMP-5 LAVATORY>)
|
|
(ACTION GLOBAL-BAD-SPY-F)>
|
|
|
|
<ROUTINE GLOBAL-BAD-SPY-F ()
|
|
<COND (<AND <LOC ,BAD-SPY>
|
|
<FSET? <LOC ,BAD-SPY> ,HUTBIT>
|
|
<FSET? ,HERE ,HUTBIT>
|
|
<NOT <EQUAL? ,HERE ,LAVATORY>>>
|
|
<COND (<AND <EQUAL? ,PRSI ,GLOBAL-BAD-SPY>
|
|
<VERB? SHOW GIVE>>
|
|
<COND (<EQUAL? ,PRSO ,DOCUMENT ,SHRED ,SHREDS>
|
|
<BAD-SPY-F>
|
|
<RTRUE>)
|
|
(T
|
|
<TELL
|
|
"There's nothing to be gained by doing that." CR>)>)
|
|
(<VERB? PHOTOGRAPH BRIBE LISTEN EXAMINE>
|
|
<PERFORM ,PRSA ,BAD-SPY>
|
|
<RTRUE>)
|
|
(<VERB? FOLLOW WATCH>
|
|
<TELL
|
|
"If you just stand around here, you'll be able to watch his movements.
|
|
On the other hand, it might look suspicious to him." CR>)>)
|
|
(<VERB? FOLLOW>
|
|
<TELL
|
|
"You don't know where he is at the moment." CR>)
|
|
(<VERB? PHOTOGRAPH BRIBE LISTEN>
|
|
<PERFORM ,PRSA ,BAD-SPY>
|
|
<RTRUE>)
|
|
(T
|
|
<CANT-SEE ,GLOBAL-BAD-SPY>)>>
|
|
|
|
<ROUTINE PASS-F (RARG "AUX" BSL)
|
|
<SET BSL <LOC ,BAD-SPY>>
|
|
<COND (<EQUAL? .RARG ,M-LOOK>
|
|
<TELL
|
|
"You are standing in the passageway that runs along the length of the
|
|
car. ">
|
|
<COND (,AT-STATION
|
|
<TELL
|
|
"Just north of your compartment, a guard is standing. He is motioning
|
|
you out of the train to the south.">)
|
|
(T
|
|
<TELL
|
|
"At either end of the passageway, a guard is standing, machine gun
|
|
poised at his side.">)>
|
|
<TELL " Right now, you're standing outside ">
|
|
<COND (<EQUAL? ,HERE ,PASS-5>
|
|
<TELL "your own compartment">)
|
|
(T
|
|
<TELL "the " <GET ,PASS-TELLS <GETP ,HERE ,P?NS>>>)>
|
|
<TELL ".">
|
|
<COND (<AND .BSL <FSET? .BSL ,HUTBIT>>
|
|
<TELL
|
|
" A man, wearing a trench coat, is ">
|
|
<COND (<EQUAL? .BSL ,HERE>
|
|
<TELL "also standing here">)
|
|
(<EQUAL? .BSL ,PASS-5>
|
|
<TELL "standing outside of your
|
|
compartment, motioning for you to return">)
|
|
(T
|
|
<TELL "standing outside ">
|
|
<TELL "the "
|
|
<GET ,PASS-TELLS <GETP .BSL ,P?NS>>>
|
|
<TELL ", and talking to its
|
|
occupants in rapid-fire Frobnian">)>
|
|
<TELL ".">)>
|
|
<CRLF>)
|
|
(<EQUAL? .RARG ,M-ENTER>
|
|
<SETG CURRENT-PASS ,HERE>
|
|
<RFALSE>)>>
|
|
|
|
<ROUTINE HST? ()
|
|
<COND (<OR <IN? ,CAMERA ,WINNER>
|
|
<IN? ,DOCUMENT ,WINNER>
|
|
<IN? ,SHREDS ,WINNER>
|
|
<IN? ,COLOR-ROLL ,WINNER>
|
|
<IN? ,EXPOSED-ROLL ,WINNER>>
|
|
<RTRUE>)>>
|
|
|
|
<GLOBAL PASS-TELLS
|
|
<PLTABLE "northernmost compartment"
|
|
"second northernmost compartment"
|
|
"middle compartment"
|
|
"compartment next to your own"
|
|
""
|
|
"lavatory">>
|
|
|
|
<GLOBAL CURRENT-PASS <>>
|
|
|
|
<ROOM PASS-1
|
|
(LOC ROOMS)
|
|
(DESC "Outside 1st Compartment")
|
|
(IN-DIR P?WEST)
|
|
(WEST PER COMP-MOVE)
|
|
(NORTH SORRY "A stern-faced guard refuses to let you pass.")
|
|
(SOUTH PER PASS-MOVE-2)
|
|
(GLOBAL COMP-N-DOOR PASS-WINDOW BY-GUARDS BY-GUN)
|
|
(FLAGS HUTBIT)
|
|
(NS 1)
|
|
(EJECT
|
|
"Two newlyweds here are enjoying their privacy, and not enjoying your
|
|
presence. The woman, who appears to be the man of the house, escorts
|
|
you out of the door.")
|
|
(ACTION PASS-F)>
|
|
|
|
<ROOM PASS-2
|
|
(LOC ROOMS)
|
|
(DESC "Outside 2nd Compartment")
|
|
(IN-DIR P?WEST)
|
|
(WEST PER COMP-MOVE)
|
|
(NORTH PER PASS-MOVE-1)
|
|
(SOUTH PER PASS-MOVE-3)
|
|
(GLOBAL COMP-N-DOOR PASS-WINDOW BY-GUARDS BY-GUN)
|
|
(FLAGS HUTBIT)
|
|
(NS 2)
|
|
(EJECT
|
|
"A family of five is having what appears to be a rather heated argument.
|
|
You are nearly socked in the head before you retreat to the corridor.
|
|
The door slams behind you.")
|
|
(ACTION PASS-F)>
|
|
|
|
<ROOM PASS-3
|
|
(LOC ROOMS)
|
|
(DESC "Outside 3rd Compartment")
|
|
(IN-DIR P?WEST)
|
|
(WEST PER COMP-MOVE)
|
|
(NORTH PER PASS-MOVE-2)
|
|
(SOUTH PER PASS-MOVE-4)
|
|
(GLOBAL COMP-N-DOOR PASS-WINDOW BY-GUARDS BY-GUN)
|
|
(FLAGS HUTBIT)
|
|
(NS 3)
|
|
(EJECT
|
|
"This smoke-filled compartment is filled with a dozen or more men, playing
|
|
some sort of card game. They regard you with hostility, and force you
|
|
back into the corridor.")
|
|
(ACTION PASS-F)>
|
|
|
|
<ROOM PASS-4
|
|
(LOC ROOMS)
|
|
(DESC "Outside 4th Compartment")
|
|
(IN-DIR P?WEST)
|
|
(WEST PER COMP-MOVE)
|
|
(NORTH PER PASS-MOVE-3)
|
|
(SOUTH PER PASS-MOVE-5)
|
|
(GLOBAL COMP-N-DOOR PASS-WINDOW BY-GUARDS BY-GUN)
|
|
(FLAGS HUTBIT)
|
|
(NS 4)
|
|
(EJECT
|
|
"Three women are here, busily engaging in what probably amounts to gossip.
|
|
They stop abruptly as you enter, and stare at you stonily. After a moment,
|
|
you mumble some apologetic word and return to the corridor.")
|
|
(ACTION PASS-F)>
|
|
|
|
<ROUTINE COMP-5-ENTER ()
|
|
<COND (<AND <NOT <SLOW-CLOCK-QUEUED? ,I-BAD-WAITS>>
|
|
<NOT <SLOW-CLOCK-QUEUED? ,I-BAD-LAV-WAITS>>>
|
|
<TELL
|
|
"You enter your compartment, closing the door behind you">
|
|
<TELL ,PERIOD-CR>)>
|
|
<SETG DONT-DESCRIBE-ROOM T>
|
|
,COMP-5>
|
|
|
|
<ROOM PASS-5
|
|
(LOC ROOMS)
|
|
(DESC "Outside Your Compartment")
|
|
(IN-DIR P?WEST)
|
|
(WEST PER COMP-5-ENTER)
|
|
(NORTH PER PASS-MOVE-4)
|
|
(SOUTH PER PASS-MOVE-6)
|
|
(GLOBAL COMP-5-DOOR PASS-WINDOW BY-GUARDS BY-GUN)
|
|
(FLAGS HUTBIT)
|
|
(NS 5)
|
|
(ACTION PASS-F)>
|
|
|
|
<ROOM PASS-6
|
|
(LOC ROOMS)
|
|
(DESC "Outside Lavatory")
|
|
(IN PER LAVATORY-MOVE)
|
|
(WEST PER LAVATORY-MOVE)
|
|
(SOUTH SORRY "A stern-faced guard refuses to let you pass.")
|
|
(NORTH PER PASS-MOVE-5)
|
|
(GLOBAL LAVATORY-DOOR PASS-WINDOW BY-GUARDS BY-GUN)
|
|
(FLAGS HUTBIT)
|
|
(NS 6)
|
|
(ACTION PASS-F)>
|
|
|
|
<ROUTINE COMP-MOVE ()
|
|
<COND (<FSET? ,COMP-N-DOOR ,OPENBIT>
|
|
,COMP-N)
|
|
(<IN? ,BAD-SPY ,HERE>
|
|
<TELL
|
|
"It would be not only rude, but suspicious, for you to enter now." CR>
|
|
<RFALSE>)
|
|
(T
|
|
<TELL
|
|
"The door to that compartment is closed." CR>
|
|
<RFALSE>)>>
|
|
|
|
<ROUTINE LAVATORY-MOVE ()
|
|
<COND (<FSET? ,LAVATORY-DOOR ,OPENBIT>
|
|
<TELL "You">)
|
|
(T
|
|
<FSET ,LAVATORY-DOOR ,OPENBIT>
|
|
<TELL "You open the door, then">)>
|
|
<TELL " enter the lavatory. ">
|
|
<LAVATORY-F ,M-LOOK>
|
|
<SETG DONT-DESCRIBE-ROOM T>
|
|
,LAVATORY>
|
|
|
|
<ROUTINE PASS-MOVE-1 ()
|
|
<PASS-MOVE ,PASS-1>>
|
|
|
|
<ROUTINE PASS-MOVE-2 ()
|
|
<PASS-MOVE ,PASS-2>>
|
|
|
|
<ROUTINE PASS-MOVE-3 ()
|
|
<PASS-MOVE ,PASS-3>>
|
|
|
|
<ROUTINE PASS-MOVE-4 ()
|
|
<PASS-MOVE ,PASS-4>>
|
|
|
|
<ROUTINE PASS-MOVE-5 ()
|
|
<PASS-MOVE ,PASS-5>>
|
|
|
|
<ROUTINE PASS-MOVE-6 ()
|
|
<PASS-MOVE ,PASS-6>>
|
|
|
|
<ROUTINE PASS-MOVE (WHR "OPTIONAL" (NFP <>) "AUX" BSL)
|
|
<SET BSL <LOC ,BAD-SPY>>
|
|
<COND (<NOT .NFP>
|
|
<TELL "You move along the passageway until you come to ">
|
|
<COND (<EQUAL? .WHR ,PASS-5>
|
|
<TELL "your own compartment">)
|
|
(T
|
|
<TELL "the " <GET ,PASS-TELLS <GETP .WHR ,P?NS>>>)>
|
|
<TELL ".">)>
|
|
<COND (,AT-STATION
|
|
<TELL
|
|
" Just north of your position, a guard is standing. He is motioning
|
|
you out of the train to the south.">)>
|
|
<COND (<NOT ,GUARD-NOTICE-FLAG>
|
|
<TELL
|
|
" You scan the passageway, noting guards at either end, machine guns
|
|
poised at their sides. You don't remember them from the beginning of
|
|
the trip, so you can only suppose that security has been tightened in the
|
|
search for the American agent.">
|
|
<SETG GUARD-NOTICE-FLAG T>)>
|
|
<COND (<AND .BSL <FSET? .BSL ,HUTBIT>>
|
|
<TELL CR CR>
|
|
<COND (,BAD-SPY-SEEN
|
|
<TELL "The man in the coat">)
|
|
(T
|
|
<TELL "Another man, wearing a trench coat,">)>
|
|
<TELL " is ">
|
|
<COND (<EQUAL? ,BAD-SPY-SEEN .BSL>
|
|
<TELL "still ">)>
|
|
<SETG BAD-SPY-SEEN .BSL>
|
|
<COND (<EQUAL? .BSL .WHR>
|
|
<TELL "standing here">)
|
|
(<EQUAL? .BSL ,PASS-5>
|
|
<TELL
|
|
"standing outside of your compartment, motioning for you to return">)
|
|
(T
|
|
<TELL "standing outside ">
|
|
<TELL "the "
|
|
<GET ,PASS-TELLS <GETP .BSL ,P?NS>>>
|
|
<TELL ", and talking to its
|
|
occupants in rapid-fire Frobnian">)>
|
|
<HST-CHECK .BSL .WHR>
|
|
<TELL ".">)>
|
|
<DOC-CHECK>
|
|
<CRLF>
|
|
<SETG DONT-DESCRIBE-ROOM T>
|
|
.WHR>
|
|
|
|
<ROUTINE DOC-CHECK ()
|
|
<COND (<AND <IN? ,BAD-SPY ,HERE> <IN? ,DOCUMENT ,WINNER>>
|
|
<TELL CR CR>
|
|
<REMOVE ,DOCUMENT>
|
|
<FSET ,DOCUMENT ,PENBIT>
|
|
<TELL
|
|
"He looks again, this time directly at the document. \"Ah, thank you very
|
|
much for returning this document,\" he says. He takes it from you and
|
|
regards you with contempt. \"We may need to talk more about this later.\"
|
|
And with this, he returns to his conversation with the other passengers.">
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>)>>
|
|
|
|
<ROUTINE HST-CHECK (BSL WHR "OPTIONAL" (STR <>))
|
|
<COND (<NOT .STR>
|
|
<SET STR
|
|
". He gives you a sidelong glance, and then a subtle double take, and
|
|
you fear you have given yourself away">)>
|
|
<COND (<AND <HST?>
|
|
<NOT ,HST-FLAG>
|
|
<L? <ABS <- <GETP .BSL ,P?NS>
|
|
<GETP .WHR ,P?NS>>> 3>>
|
|
<TELL .STR>
|
|
<SETG HST-FLAG T>
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>)>>
|
|
|
|
<GLOBAL BAD-SPY-SEEN <>>
|
|
|
|
<ROUTINE LAVATORY-EXIT ()
|
|
<COMP-EXIT ,LAVATORY-DOOR ,PASS-6>>
|
|
|
|
<ROUTINE COMP-EXIT ("OPTIONAL" (DOOR ,COMP-5-DOOR) (PASS ,PASS-5))
|
|
<COND (<NOT <FSET? .DOOR ,OPENBIT>>
|
|
<COND (<EQUAL? .DOOR ,COMP-5-DOOR>
|
|
<FSET .DOOR ,OPENBIT>)>
|
|
<TELL "You open the door and">)
|
|
(T
|
|
<TELL "You">)>
|
|
<TELL
|
|
" walk out into the passageway.">
|
|
<PASS-MOVE .PASS T>>
|
|
|
|
<GLOBAL HST-FLAG <>>
|
|
|
|
<ROOM COMP-N
|
|
(LOC ROOMS)
|
|
(DESC "Compartment")
|
|
(ACTION COMP-N-F)>
|
|
|
|
<ROUTINE COMP-N-F (RARG)
|
|
<COND (<EQUAL? .RARG ,M-ENTER>
|
|
<TELL <GETP ,CURRENT-PASS ,P?EJECT> CR>
|
|
<FCLEAR ,COMP-N-DOOR ,OPENBIT>
|
|
<GOTO ,CURRENT-PASS <>>
|
|
<RTRUE>)>>
|
|
|
|
<OBJECT COMP-N-DOOR
|
|
(LOC LOCAL-GLOBALS)
|
|
(DESC "compartment door")
|
|
(SYNONYM DOOR)
|
|
(ADJECTIVE COMPARTMENT)
|
|
(FLAGS DOORBIT)
|
|
(ACTION COMP-N-DOOR-F)>
|
|
|
|
<ROUTINE COMP-N-DOOR-F ()
|
|
<COND (<AND <VERB? OPEN CLOSE> <IN? ,BAD-SPY ,HERE>>
|
|
<TELL
|
|
"That would be terribly rude." CR>)
|
|
(<VERB? LOOK-INSIDE EXAMINE>
|
|
<COND (<IN? ,BAD-SPY ,HERE>
|
|
<TELL
|
|
"The man in the coat is talking to the passengers inside; you
|
|
can't tell much about them from here, and it would be rude to
|
|
force yourself into the doorway." CR>)
|
|
(<FSET? ,PRSO ,OPENBIT>
|
|
<TELL
|
|
"You might as well just go in and find out..." CR>)>)>>
|
|
|
|
<ROOM LAVATORY
|
|
(LOC ROOMS)
|
|
(DESC "Lavatory")
|
|
(OUT PER LAVATORY-EXIT)
|
|
(EAST PER LAVATORY-EXIT)
|
|
(GLOBAL LAVATORY-DOOR)
|
|
(ACTION LAVATORY-F)>
|
|
|
|
<ROUTINE LAVATORY-F (RARG)
|
|
<COND (<EQUAL? .RARG ,M-LOOK>
|
|
<TELL
|
|
"Like most facilities here, it is rather primitive.
|
|
There is a flush toilet, naturally, and a sink with a mirror above it.
|
|
Conveniently located alongside the sink is a paper towel dispenser -
|
|
inconveniently, there is no place to put the paper towels once used. A small,
|
|
grimy window looks out over the darkened landscape." CR>)>>
|
|
|
|
<OBJECT LAVATORY-DOOR
|
|
(LOC LOCAL-GLOBALS)
|
|
(DESC "lavatory door")
|
|
(SYNONYM DOOR)
|
|
(ADJECTIVE LAVATORY)
|
|
(FLAGS DOORBIT)>
|
|
|
|
<OBJECT LAV-TOILET
|
|
(LOC LAVATORY)
|
|
(DESC "toilet")
|
|
(SYNONYM TOILET BOWL HANDLE)
|
|
(ADJECTIVE TOILET)
|
|
(FLAGS NDESCBIT OPENBIT SEARCHBIT CONTBIT)
|
|
(CAPACITY 20)
|
|
(ACTION LAV-TOILET-F)>
|
|
|
|
<ROUTINE LAV-TOILET-F ()
|
|
<COND (<VERB? USE>
|
|
<PERFORM ,PRSA ,GLOBAL-LAVATORY>
|
|
<RTRUE>)
|
|
(<VERB? CLIMB-ON BOARD>
|
|
<TELL
|
|
"You aren't in need of the facilities at the moment." CR>)
|
|
(<AND <VERB? PUT>
|
|
<EQUAL? ,PRSI ,LAV-TOILET>
|
|
<G? <GETP ,PRSO ,P?SIZE> 5>>
|
|
<TELL
|
|
"That's not the sort of thing one puts in the toilet." CR>)
|
|
(<AND <VERB? PUT>
|
|
<EQUAL? ,PRSI ,LAV-TOILET>
|
|
<EQUAL? ,PRSO ,PAPER-TOWEL>>
|
|
<TELL
|
|
"The paper towel drops into the toilet." CR>
|
|
<REMOVE ,PAPER-TOWEL>
|
|
<THIS-IS-IT ,WET-PAPER-TOWEL>
|
|
<MOVE ,WET-PAPER-TOWEL ,LAV-TOILET>)
|
|
(<VERB? OPEN CLOSE>
|
|
<TELL
|
|
"You can't open and close the toilet; there's no lid, and how very
|
|
typical." CR>)
|
|
(<AND <VERB? SEARCH LOOK-INSIDE>
|
|
<IN? ,SHRED ,LAV-TOILET>
|
|
<NOT <NEXT? ,SHRED>>
|
|
<NOT <FSET? ,SHRED ,TOUCHBIT>>>
|
|
<TELL
|
|
"You see a small shred of the document floating in the toilet." CR>)
|
|
(<VERB? FLUSH MOVE>
|
|
<TELL
|
|
"With an all too loud whooshing sound, the toilet flushes.">
|
|
<COND (<OR <IN? ,DOCUMENT ,LAV-TOILET>
|
|
<IN? ,SHREDS ,LAV-TOILET>>
|
|
<RANDOM-QUEUE ,I-SHRED 25>)>
|
|
<DOWN-THE-DRAIN ,LAV-TOILET 6>
|
|
<CRLF>)>>
|
|
|
|
<ROUTINE I-SHRED ()
|
|
<MOVE ,SHRED ,LAV-TOILET>
|
|
<DE-RANDOM-QUEUE>
|
|
<RFALSE>>
|
|
|
|
<GLOBAL DRAIN-TBL <LTABLE 0 0 0 0 0 0 0 0 0 0>>
|
|
|
|
<ROUTINE DOWN-THE-DRAIN (OBJ "OPTIONAL" (SIZE 2) "AUX" (OFF 0) F N)
|
|
<SET F <FIRST? .OBJ>>
|
|
<REPEAT ()
|
|
<COND (<NOT .F> <RETURN>)
|
|
(T
|
|
<SET N <NEXT? .F>>
|
|
<COND (<AND <L? <GETP .F ,P?SIZE> .SIZE>
|
|
<NOT <EQUAL? .F ,TICKET ,PASSPORT>>>
|
|
<REMOVE .F>
|
|
<SET OFF <+ .OFF 1>>
|
|
<PUT ,DRAIN-TBL .OFF .F>)>)>
|
|
<SET F .N>>
|
|
<COND (<NOT <ZERO? .OFF>>
|
|
<TELL " Down the drain, along with the water, goes the ">
|
|
<REPEAT ()
|
|
<TELL D <GET ,DRAIN-TBL .OFF>>
|
|
<COND (<L? <SET OFF <- .OFF 1>> 1>
|
|
<RETURN>)
|
|
(<EQUAL? .OFF 1>
|
|
<TELL ", and ">)
|
|
(T
|
|
<TELL ", ">)>>
|
|
<TELL ".">)>>
|
|
|
|
<OBJECT GLOBAL-LAVATORY
|
|
(LOC GLOBAL-OBJECTS)
|
|
(DESC "lavatory")
|
|
(SYNONYM LAVATORY WC BATHROOM)
|
|
(SCENARIO 1)
|
|
(ACTION GLOBAL-LAVATORY-F)>
|
|
|
|
<ROUTINE GLOBAL-LAVATORY-F ()
|
|
<COND (<VERB? ENTER WALK-TO FIND>
|
|
<COND (<EQUAL? ,HERE ,PASS-6>
|
|
<DO-WALK ,P?IN>
|
|
<RTRUE>)
|
|
(<EQUAL? ,HERE ,LAVATORY>
|
|
<TELL "There is no other..." CR>)
|
|
(T
|
|
<TELL
|
|
"The lavatory, as you recall, is at the south end of the passageway." CR>)>)
|
|
(<VERB? USE>
|
|
<COND (<EQUAL? ,HERE ,LAVATORY>
|
|
<TELL
|
|
"You have no need of it now, and a good thing too. Just looking at the
|
|
fixtures is likely to cause disease." CR>)
|
|
(T
|
|
<TELL ,GET-THERE-FIRST CR>)>)
|
|
(<VERB? EXAMINE>
|
|
<COND (<EQUAL? ,HERE ,LAVATORY>
|
|
<PERFORM ,V?LOOK>
|
|
<RTRUE>)
|
|
(T
|
|
<TELL "You should go there first." CR>)>)
|
|
(<VERB? LEAVE>
|
|
<COND (<EQUAL? ,HERE ,LAVATORY>
|
|
<DO-WALK ,P?OUT>
|
|
<RTRUE>)
|
|
(T
|
|
<TELL "You're not there!" CR>)>)>>
|
|
|
|
<OBJECT BRIEFCASE
|
|
(LOC COMP-5)
|
|
(DESC "briefcase")
|
|
(SYNONYM CASE BRIEFCASE)
|
|
(FLAGS TAKEBIT CONTBIT SEARCHBIT TRYTAKEBIT)
|
|
(SCENARIO 1)
|
|
(CAPACITY 65)
|
|
(SIZE 16)
|
|
(ACTION BRIEFCASE-F)>
|
|
|
|
<ROUTINE BRIEFCASE-F ()
|
|
<COND (<AND <VERB? TAKE>
|
|
<EQUAL? ,PRSO ,BRIEFCASE>
|
|
<FSET? ,PRSO ,OPENBIT>>
|
|
<TELL "You'd best close the briefcase first." CR>
|
|
<RTRUE>)>>
|
|
|
|
<OBJECT CAMERA-BAG
|
|
(LOC COMP-5)
|
|
(DESC "camera bag")
|
|
(SYNONYM BAG)
|
|
(ADJECTIVE CAMERA)
|
|
(FLAGS TAKEBIT CONTBIT OPENBIT SEARCHBIT)
|
|
(SCENARIO 1)
|
|
(CAPACITY 40)
|
|
(SIZE 41)>
|
|
|
|
<OBJECT CAMERA
|
|
(LOC CAMERA-BAG)
|
|
(DESC "camera")
|
|
(SYNONYM CAMERA)
|
|
(FLAGS TAKEBIT CONTBIT SEARCHBIT)
|
|
(SCENARIO 1)
|
|
(SIZE 25)
|
|
(ACTION CAMERA-F)>
|
|
|
|
<ROUTINE CAMERA-F ("AUX" FILM SHOT)
|
|
<SET FILM <FIRST? ,CAMERA>>
|
|
<COND (<VERB? EXAMINE>
|
|
<TELL
|
|
"It's a Pentax 35-mm SLR camera; you could have done better, but the
|
|
dollar's not been so good, and getting Japanese goods here is difficult
|
|
at best. Right now, it's ">
|
|
<COND (<ZERO? .FILM>
|
|
<TELL "not loaded with any film">)
|
|
(<NOT <FSET? .FILM ,FILMBIT>>
|
|
<TELL "got a " D .FILM " inside">)
|
|
(<ZERO? <SET SHOT <GETP .FILM ,P?SHOT>>>
|
|
<TELL "got a " D .FILM
|
|
" inside that's ready to be loaded">)
|
|
(<L? .SHOT 0>
|
|
<TELL "got a rewound " D .FILM " inside">)
|
|
(T
|
|
<TELL "loaded with a " D .FILM>)>
|
|
<TELL ". ">
|
|
<COND (<FSET? ,CAMERA ,OPENBIT>
|
|
<TELL
|
|
"The back of the camera is open.">)
|
|
(<AND .FILM
|
|
<FSET? .FILM ,FILMBIT>
|
|
<EQUAL? <GETP .FILM ,P?SHOT> -1>>
|
|
<TELL
|
|
"The gizmo on top says that the film inside is rewound.">)
|
|
(<AND .FILM <FSET? .FILM ,FILMBIT>>
|
|
<TELL
|
|
"According to the gizmo on top, you're currently at picture number ">
|
|
<TELL N <GETP .FILM ,P?SHOT>>
|
|
<TELL " of a roll of 24.">)>
|
|
<CRLF>)
|
|
(<AND <VERB? PUT> <EQUAL? ,PRSI ,CAMERA>>
|
|
<COND (<NOT <FSET? ,CAMERA ,OPENBIT>>
|
|
<TELL "The camera's not open." CR>)
|
|
(.FILM
|
|
<TELL "There's already something there." CR>)
|
|
(<G? <GETP ,PRSO ,P?SIZE> 5>
|
|
<TELL "That won't fit in the camera." CR>)
|
|
(T
|
|
<TELL "The " D ,PRSO
|
|
" is now resting in the camera." CR>
|
|
<MOVE ,PRSO ,PRSI>)>)
|
|
(<VERB? OPEN>
|
|
<COND (<FSET? ,CAMERA ,OPENBIT>
|
|
<TOO-LATE>)
|
|
(T
|
|
<FSET ,CAMERA ,OPENBIT>
|
|
<TELL
|
|
"The camera is now opened.">
|
|
<COND (<AND .FILM
|
|
<FSET? .FILM ,FILMBIT>
|
|
<NOT <EQUAL? <GETP .FILM ,P?SHOT>
|
|
-1
|
|
0>>>
|
|
<COND (<EQUAL? .FILM ,COLOR-ROLL>
|
|
<SETG FILM-RUINED T>)>
|
|
<PUTP .FILM ,P?SHOT -1>
|
|
<TELL
|
|
" Sadly, the film was not rewound, so some of your photos have probably
|
|
been destroyed. It's too late now, but you rewind the roll anyway.">)>
|
|
<CRLF>)>)
|
|
(<VERB? CLOSE>
|
|
<COND (<FSET? ,CAMERA ,OPENBIT>
|
|
<FCLEAR ,CAMERA ,OPENBIT>
|
|
<TELL
|
|
"The camera is now closed." CR>)
|
|
(T
|
|
<TOO-LATE>)>)
|
|
(<VERB? LOAD>
|
|
<COND (<NOT .FILM>
|
|
<COND (<AND ,PRSI <FSET? ,PRSI ,FILMBIT>>
|
|
<PERFORM ,V?PUT
|
|
,PRSI
|
|
,PRSO>
|
|
<COND (<OR <NOT <SET FILM <FIRST? ,CAMERA>>>
|
|
<NOT <EQUAL? .FILM ,PRSI>>>
|
|
<RTRUE>)>)
|
|
(T
|
|
<TELL
|
|
"In order to properly load the film into the camera's winding mechanism, you
|
|
must first put the film in the camera." CR>
|
|
<RTRUE>)>)>
|
|
<COND (<NOT <FSET? .FILM ,FILMBIT>>
|
|
<TELL
|
|
"Not likely, with the " D .FILM " sitting in there." CR>)
|
|
(<AND ,PRSI <NOT <EQUAL? .FILM ,PRSI>>>
|
|
<TELL
|
|
"There's another roll already in there." CR>)
|
|
(<L? <SET SHOT <GETP .FILM ,P?SHOT>> 0>
|
|
<TELL
|
|
"The film has been rewound back into the spool; there's no way to load
|
|
it onto the winding mechanism now." CR>)
|
|
(<G? .FILM 0>
|
|
<TELL
|
|
"It's already loaded properly." CR>)
|
|
(T
|
|
;<PUTP .FILM ,P?SHOT 1>
|
|
;<TELL
|
|
"The camera is loaded and ready for action." CR>)>)
|
|
(<VERB? REWIND>
|
|
<COND (<OR <NOT .FILM> <NOT <FSET? .FILM ,FILMBIT>>>
|
|
<TELL
|
|
"There's no film in the camera." CR>)
|
|
(<NOT <G? <SET FILM <GETP .FILM ,P?SHOT>> 1>>
|
|
<TELL
|
|
"The film in the camera isn't loaded." CR>)
|
|
;(<FSET? ,CAMERA ,OPENBIT>
|
|
<TELL
|
|
"The camera is usually closed when film is to be rewound; otherwise,
|
|
all of the film will be exposed and ruined." CR>)
|
|
(T
|
|
<PUTP <FIRST? ,CAMERA> ,P?SHOT -1>
|
|
<TELL
|
|
"The film in the camera is now rewound." CR>)>)>>
|
|
|
|
<OBJECT COLOR-ROLL
|
|
(LOC CAMERA)
|
|
(DESC "roll of color film")
|
|
(SYNONYM ROLL FILM)
|
|
(ADJECTIVE COLOR)
|
|
(FLAGS TAKEBIT FILMBIT)
|
|
(SCENARIO 1)
|
|
(SIZE 4)
|
|
(GENERIC GENERIC-FILM)
|
|
(SHOT 23)
|
|
(PHOTO <TABLE -1 -1>)
|
|
(ACTION COLOR-ROLL-F)>
|
|
|
|
<ROUTINE COLOR-ROLL-F ()
|
|
<COND (<AND <VERB? LOAD> <NOT ,PRSI>>
|
|
<PERFORM ,V?LOAD ,CAMERA ,PRSO>
|
|
<RTRUE>)
|
|
(<VERB? BEND>
|
|
<PERFORM ,PRSA ,EXPOSED-ROLL>
|
|
<RTRUE>)
|
|
(<VERB? OPEN CLOSE>
|
|
<TELL "Not a chance." CR>)
|
|
(<VERB? REWIND>
|
|
<REWIND-FILM>)>>
|
|
|
|
<OBJECT EXPOSED-ROLL
|
|
(LOC CAMERA-BAG)
|
|
(DESC "old roll of film")
|
|
(SYNONYM ROLL FILM)
|
|
(ADJECTIVE EXPOSED OLD)
|
|
(FLAGS TAKEBIT FILMBIT CONTBIT OPENBIT VOWELBIT AN)
|
|
(SCENARIO 1)
|
|
(SIZE 4)
|
|
(GENERIC GENERIC-FILM)
|
|
(SHOT -1)
|
|
(ACTION EXPOSED-ROLL-F)>
|
|
|
|
<GLOBAL FILM-RUINED <>>
|
|
|
|
<OBJECT PHONY-FILM
|
|
(DESC "film")
|
|
(LOC GLOBAL-OBJECTS)
|
|
(FLAGS FILMBIT)
|
|
(SCENARIO 1)
|
|
(ACTION PHONY-FILM-F)>
|
|
|
|
<ROUTINE PHONY-FILM-F ("AUX" F)
|
|
<COND (<AND <VERB? TAKE>
|
|
<EQUAL? ,PRSO ,PHONY-FILM>
|
|
<EQUAL? ,PRSI ,COLOR-ROLL ,EXPOSED-ROLL>>
|
|
<TELL
|
|
"You can't remove the film from the roll it's on." CR>)
|
|
(<AND <VERB? TAKE>
|
|
<EQUAL? ,PRSI ,CAMERA>>
|
|
<COND (<NOT <FSET? ,CAMERA ,OPENBIT>>
|
|
<TELL
|
|
"The camera's closed." CR>)
|
|
(<OR <NOT <SET F <FIRST? ,CAMERA>>>
|
|
<NOT <FSET? .F ,FILMBIT>>>
|
|
<TELL
|
|
"There's no film in the camera." CR>)
|
|
(T
|
|
<PERFORM ,V?TAKE .F>
|
|
<RTRUE>)>)
|
|
(T
|
|
<TELL
|
|
"There's no film there." CR>)>>
|
|
|
|
<ROUTINE GENERIC-FILM ("AUX" F)
|
|
<COND (<VERB? REWIND>
|
|
,CAMERA)
|
|
(<AND <VERB? TAKE> <EQUAL? ,P-NCN 2>>
|
|
,PHONY-FILM)>>
|
|
|
|
<ROUTINE EXPOSED-ROLL-F ()
|
|
<COND (<VERB? OPEN CLOSE>
|
|
<TELL "Don't be ridiculous." CR>)
|
|
(<AND <VERB? LOAD> <NOT ,PRSI>>
|
|
<PERFORM ,V?LOAD ,CAMERA ,PRSO>
|
|
<RTRUE>)
|
|
(<VERB? BEND>
|
|
<TELL
|
|
"You can't pull the film out of the roll." CR>)
|
|
(<VERB? EXAMINE>
|
|
<TELL
|
|
"The exposed roll has been rewound into the spool. If your memory serves, it
|
|
contains pictures of your last family outing at Lake Gurthark. Why you
|
|
didn't have it developed months ago is a mystery to you." CR>)
|
|
(<VERB? REWIND>
|
|
<REWIND-FILM>)>>
|
|
|
|
<ROUTINE REWIND-FILM ()
|
|
<COND (<NOT <IN? ,CAMERA ,WINNER>>
|
|
<TELL
|
|
"It's a lot easier if you're holding the camera." CR>)
|
|
(<NOT <FIRST? ,CAMERA>>
|
|
<TELL
|
|
"There's no film in the camera." CR>)
|
|
(T
|
|
<PERFORM ,V?REWIND ,CAMERA>
|
|
<RTRUE>)>>
|
|
|
|
<OBJECT GLOBAL-FILM
|
|
(LOC GLOBAL-OBJECTS)
|
|
(DESC "film")
|
|
(SYNONYM FILM)
|
|
(ADJECTIVE COLOR EXPOSED OLD)
|
|
(ACTION GLOBAL-FILM-F)>
|
|
|
|
<ROUTINE GLOBAL-FILM-F ()
|
|
<COND (<AND <EQUAL? ,SCENARIO 1>
|
|
<VERB? REWIND>>
|
|
<REWIND-FILM>
|
|
<RTRUE>)
|
|
(T
|
|
<TELL
|
|
"You can't see any such film here." CR>)>>
|
|
|
|
<OBJECT TOILET-KIT
|
|
(LOC BRIEFCASE)
|
|
(DESC "toilet kit")
|
|
(SYNONYM KIT)
|
|
(ADJECTIVE TOILET)
|
|
(FLAGS TAKEBIT CONTBIT SEARCHBIT)
|
|
(SCENARIO 1)
|
|
(SIZE 15)
|
|
(CAPACITY 14)>
|
|
|
|
<OBJECT TOOTHBRUSH
|
|
(LOC TOILET-KIT)
|
|
(DESC "toothbrush")
|
|
(SYNONYM BRUSH TOOTHBRUSH)
|
|
(FLAGS TAKEBIT)
|
|
(SCENARIO 1)
|
|
(SIZE 3)
|
|
(ACTION TOOTHBRUSH-F)>
|
|
|
|
<ROUTINE TOOTHBRUSH-F ()
|
|
<COND (<VERB? EXAMINE USE>
|
|
<TELL
|
|
"You brought the toothbrush along, but you forgot the toothpaste, making
|
|
the device utterly worthless." CR>)>>
|
|
|
|
<OBJECT TEETH
|
|
(LOC GLOBAL-OBJECTS)
|
|
(DESC "your teeth")
|
|
(SYNONYM TEETH)
|
|
(ADJECTIVE MY)
|
|
(ACTION TEETH-F)>
|
|
|
|
<ROUTINE TEETH-F ()
|
|
<COND (<VERB? CLEAN>
|
|
<TELL
|
|
"A nice idea, but not very helpful." CR>)>>
|
|
|
|
<OBJECT BYSTANDER-WATCH
|
|
(DESC "wristwatch")
|
|
(SYNONYM CLOCK WATCH WRISTWATCH)
|
|
(ADJECTIVE WRIST)
|
|
(FLAGS WEARBIT WORNBIT READBIT)
|
|
(ACTION BYSTANDER-WATCH-F)>
|
|
|
|
<ROUTINE BYSTANDER-WATCH-F ()
|
|
<COND (<VERB? DROP TAKE-OFF>
|
|
<TELL
|
|
"If you're to make your connections, you shouldn't be without it." CR>)
|
|
(<VERB? EXAMINE>
|
|
<TELL
|
|
"It's a Timex, and not a particularly nice one at that." CR>)
|
|
(<VERB? READ>
|
|
<TELL
|
|
"You can read the time on your status line." CR>)>>
|
|
|
|
<OBJECT TWEEZERS
|
|
(LOC TOILET-KIT)
|
|
(DESC "pair of tweezers")
|
|
(SYNONYM PAIR TWEEZERS)
|
|
(FLAGS TAKEBIT)
|
|
(SCENARIO 1)
|
|
(SIZE 4)
|
|
(ACTION TWEEZERS-F)>
|
|
|
|
<ROUTINE TWEEZERS-F ()
|
|
<COND (<VERB? EXAMINE>
|
|
<TELL
|
|
"They're your ordinary pair of tweezers. You don't know why you keep
|
|
it in your toilet kit, since you never use it." CR>)>>
|
|
|
|
<OBJECT PICTURE
|
|
(LOC GLOBAL-OBJECTS)
|
|
(DESC "picture")
|
|
(SYNONYM PICTURE PHOTOGRAPH PHOTO)
|
|
(ACTION PICTURE-F)>
|
|
|
|
<ROUTINE PICTURE-F ()
|
|
<COND (<VERB? TAKE>
|
|
<TELL "You'll have to say what you want to photograph." CR>)>>
|
|
|
|
<ROUTINE TAKE-A-PICTURE ("AUX" FILM SHOT)
|
|
<COND (<FSET? ,CAMERA ,OPENBIT>
|
|
<TELL
|
|
"But the back of the camera is open!" CR>)
|
|
(<NOT <SET FILM <FIRST? ,CAMERA>>>
|
|
<TELL
|
|
"There's no film in the camera, or hadn't you noticed?" CR>)
|
|
(<NOT <FSET? .FILM ,FILMBIT>>
|
|
<TELL
|
|
"There's something in the camera, but it sure isn't film." CR>)
|
|
(<EQUAL? <SET SHOT <GETP .FILM ,P?SHOT>> -1>
|
|
<TELL
|
|
"The camera's shutter makes a clicking noise, but nothing else happens;
|
|
the film is rewound." CR>)
|
|
(<EQUAL? .SHOT 0>
|
|
<TELL
|
|
"The film's in the camera, all right, but it's not loaded." CR>)
|
|
(<EQUAL? .SHOT 25>
|
|
<TELL
|
|
"Nothing happens; it appears you've taken your last shot on this roll." CR>)
|
|
;(<NOT <EQUAL? .SHOT 23 24>>
|
|
<TELL
|
|
"You take the picture of the " D ,PRSO ", but you doubt it will come out
|
|
well since you've already used this film before." CR>)
|
|
(T
|
|
<PUTP .FILM ,P?SHOT <SET SHOT <+ .SHOT 1>>>
|
|
<PUT <GETP .FILM ,P?PHOTO>
|
|
<- .SHOT 24>
|
|
,PRSO>
|
|
<TELL
|
|
"You take the picture of " THE ,PRSO ". The film is automatically
|
|
advanced to frame number " N .SHOT ,PERIOD-CR>)>>
|
|
|
|
<OBJECT BYSTANDER-CLOTHES
|
|
(DESC "your clothes")
|
|
(SYNONYM CLOTHES SOCKS SHIRT PANTS CLOTHING CLOTH SUIT)
|
|
(FLAGS NARTICLEBIT WORNBIT SEARCHBIT SURFACEBIT OPENBIT CONTBIT
|
|
NOTHEBIT NOABIT)
|
|
(ACTION BYSTANDER-CLOTHES-F)>
|
|
|
|
<ROUTINE BYSTANDER-CLOTHES-F ()
|
|
<COND (<VERB? TAKE-OFF REMOVE>
|
|
<TELL
|
|
"This would be highly inappropriate." CR>)
|
|
(<VERB? EXAMINE>
|
|
<COND (<EQUAL? ,SCENARIO 1>
|
|
<TELL
|
|
"You are looking rather dapper in your business suit.">)
|
|
(T
|
|
<TELL
|
|
"You're doing your best to look nondescript in your trench coat." CR>)>
|
|
<COND (<AND <IN? ,CARNATION ,PRSO>
|
|
<EQUAL? ,SCENARIO 1>>
|
|
<TELL "
|
|
A white carnation adorns your jacket's lapel.">)>
|
|
<CRLF>)
|
|
(<VERB? LOOK-INSIDE>
|
|
<TELL
|
|
"There's nothing in your clothes that can help you." CR>)
|
|
(<VERB? RIP>
|
|
<TELL
|
|
"Why on earth should you damage your rather expensive outfit?" CR>)>>
|
|
|
|
<OBJECT CARNATION
|
|
(LOC BYSTANDER-CLOTHES)
|
|
(SYNONYM CARNATION FLOWER)
|
|
(ADJECTIVE WHITE RUMPLED)
|
|
(DESC "rumpled white carnation")
|
|
(FLAGS WEARBIT WORNBIT TAKEBIT)
|
|
(ACTION CARNATION-F)>
|
|
|
|
<ROUTINE CARNATION-F ()
|
|
<COND (<VERB? EXAMINE>
|
|
<TELL
|
|
"It's a sad looking carnation, though it is arguably in better shape than
|
|
its previous owner." CR>)
|
|
(<AND <VERB? TAKE-OFF> <IN? ,PRSO ,BYSTANDER-CLOTHES>>
|
|
<MOVE ,PRSO ,WINNER>
|
|
<FCLEAR ,PRSO ,WORNBIT>
|
|
<TELL
|
|
"You take off the carnation. It is a sorry sight." CR>)
|
|
(<AND <VERB? WEAR> <NOT <FSET? ,PRSO ,WORNBIT>>>
|
|
<MOVE ,PRSO ,BYSTANDER-CLOTHES>
|
|
<FSET ,PRSO ,WORNBIT>
|
|
<TELL
|
|
"You put the rumpled carnation through the hole in your lapel. Except
|
|
for the contact, you can only pray that nobody notices." CR>)>>
|
|
|
|
<OBJECT BAD-SPY
|
|
(DESC "man in a trench coat")
|
|
(SYNONYM SPY MAN VIPER)
|
|
(ADJECTIVE BAD TRENCHCOATED)
|
|
(FLAGS NDESCBIT PERSON)
|
|
(ACTION BAD-SPY-F)>
|
|
|
|
<ROUTINE BAD-SPY-F ()
|
|
<COND (<VERB? EXAMINE>
|
|
<TELL
|
|
"He is a rather large man, though unassuming in appearance. He wears an
|
|
off-white trench coat and a hat and talks with a beautiful, resonant voice.
|
|
In all, he doesn't appear very formidable, but your intuition tells you
|
|
that he is a very high-level official - in what agency, you could never
|
|
know." CR>)
|
|
(<VERB? BRIBE>
|
|
<TELL
|
|
"It's too risky; you'd probably end up in jail." CR>)
|
|
(<AND <VERB? GIVE SHOW>
|
|
<EQUAL? ,PRSO ,SHRED ,SHREDS ,DOCUMENT>>
|
|
<TELL
|
|
"Even in a text-only game, that would be stupid beyond words." CR>)
|
|
(<AND <VERB? GIVE> <EQUAL? ,PRSI ,BAD-SPY>>
|
|
<TELL "He waves you away with his hand." CR>)
|
|
(<VERB? PHOTOGRAPH>
|
|
<TELL
|
|
"Seeing what you are about to do, he turns to you, and speaks harshly.
|
|
\"This is not permitted.\" You decide against taking the picture." CR>
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>)
|
|
(<VERB? LISTEN>
|
|
<TELL
|
|
"You know little Frobnian, and he is speaking very quickly." CR>)>>
|
|
|
|
<GLOBAL BAD-SPY-MOVES <PLTABLE PASS-1 PASS-2 PASS-3 PASS-4 PASS-5 PASS-6>>
|
|
|
|
<GLOBAL BAD-SPY-COUNT 0>
|
|
|
|
<ROUTINE I-BAD-SPY ("AUX" SM)
|
|
<SETG BAD-SPY-COUNT <+ ,BAD-SPY-COUNT 1>>
|
|
<COND (<AND <0? <MOD ,BAD-SPY-COUNT 6>>
|
|
<L? <SET SM </ ,BAD-SPY-COUNT 6>> 7>>
|
|
<MOVE ,BAD-SPY <SET SM <GET ,BAD-SPY-MOVES .SM>>>
|
|
<COND (<FSET? ,HERE ,HUTBIT>
|
|
<HLIGHT ,H-BOLD>
|
|
<CRLF>
|
|
<COND (<EQUAL? .SM ,PASS-1>
|
|
<SETG BAD-SPY-SEEN T>
|
|
<TELL
|
|
"You watch as a man in a trench coat enters your car to the north. He ">
|
|
<COND (<NOT <FSET? ,COMP-N-DOOR ,OPENBIT>>
|
|
<TELL
|
|
"opens the door to the first compartment, and ">)>
|
|
<TELL "begins to speak to the
|
|
occupants, though you can't make out a word.">)
|
|
(<EQUAL? .SM ,PASS-5 ,PASS-6>
|
|
<COND (<EQUAL? .SM ,PASS-5>
|
|
<TELL
|
|
"The man arrives at your compartment and sees that nobody is inside.
|
|
After a moment, he looks in your direction">)
|
|
(T
|
|
<TELL
|
|
"The man walks up to you,">)>
|
|
<TELL " and speaks to you in a
|
|
beautifully deep voice with a heavily Russian accent. \"Please
|
|
return now to your compartment.\"">
|
|
<SETG BAD-DISTANCE
|
|
<ABS <- <GETP <LOC ,BAD-SPY> ,P?NS>
|
|
<GETP ,HERE ,P?NS>>>>
|
|
<SLOW-CLOCK-QUEUE ,I-BAD-WAITS 20>)
|
|
(<EQUAL? ,HERE .SM>
|
|
<TELL
|
|
"The man politely thanks the people in the next compartment, closes
|
|
their door, and moves to where you are standing. He looks you over
|
|
briefly, then proceeds to speak to the occupants in what you
|
|
realize to be Frobnian; sadly, you don't understand enough to make
|
|
sense of his speech.">)
|
|
(T
|
|
<TELL
|
|
"The man in the trench coat tips his hat at the occupants of the
|
|
compartment, shuts the door, and moves to the next compartment, where
|
|
he opens the door and starts to converse. He's now ">
|
|
<TELL <GET ,SMALL-NUMS-TBL
|
|
<ABS <- <GETP .SM ,P?NS>
|
|
<GETP ,HERE ,P?NS>>>>>
|
|
<TELL " away from you.">)>
|
|
<HST-CHECK .SM ,HERE
|
|
"|
|
|
|
|
|
The man, seeming to notice you for the first time, turns casually in
|
|
your direction. A second later, he seems to do a double take and you fear
|
|
you have given yourself away.">
|
|
<DOC-CHECK>
|
|
<HLIGHT ,H-NORMAL>
|
|
<CRLF>)
|
|
(<AND <EQUAL? .SM ,PASS-6> <EQUAL? ,HERE ,LAVATORY>>
|
|
<SLOW-CLOCK-QUEUE ,I-BAD-LAV-WAITS 20>
|
|
<BOLDTELL
|
|
"There are two sharp raps on the lavatory door, and a man with a thick
|
|
accent speaks. \"Please forgive the intrusion, but I must have a word with
|
|
you, outside, in your compartment.\"">)
|
|
(<AND <EQUAL? .SM ,PASS-5 ,PASS-6>
|
|
<EQUAL? ,HERE ,COMP-5>>
|
|
<DE-SLOW-CLOCK-QUEUE>
|
|
<BOLDTELL
|
|
"There are two sharp raps on your door, and a man wearing a trench coat
|
|
enters.">
|
|
<BAD-INTERVIEW>
|
|
<COND (<NOT ,PRSA> <SETG READ-INTERRUPTED T>)>
|
|
<RTRUE>)>)>>
|
|
|
|
<GLOBAL READ-INTERRUPTED <>>
|
|
|
|
<GLOBAL BAD-INTERVIEW-FLAG <>>
|
|
|
|
<ROUTINE BAD-INTERVIEW ("OPTIONAL" (FORCE? <>))
|
|
<DE-SLOW-CLOCK-QUEUE>
|
|
<SETG BAD-INTERVIEW-FLAG T>
|
|
<TELL CR
|
|
"He speaks beautiful, correct English, though his accent is rather
|
|
thick. \"I am so sorry to ">
|
|
<COND (.FORCE? <TELL "well, shall I say 'insist'">)
|
|
(T <TELL "intrude">)>
|
|
<TELL ", but I was hoping you could be of some
|
|
assistance.\" His eyes dart around the room as he speaks, taking in
|
|
everything. Then, his gaze settles on you - his searching eyes take
|
|
you in from top to bottom">
|
|
<COND (<FSET? ,CARNATION ,WORNBIT>
|
|
<FSET ,CARNATION ,HUTBIT>
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>
|
|
<TELL
|
|
", and you imagine that he is frowning slightly, as if slightly confused.">)
|
|
(T
|
|
<TELL ".">)>
|
|
<COND (<IN? ,CAMERA ,WINNER>
|
|
<TELL " He looks at the camera, and raises an eyebrow. \"You
|
|
are taking pictures? I hope you are using fast film.\"">
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>)>
|
|
<COND (<IN? ,STAINED-PAPER-TOWEL ,WINNER>
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>
|
|
<TELL " He then stares for a moment at the blood-stained
|
|
towel in your hand, then smiles and looks you in the eye.">)>
|
|
<CRLF>
|
|
<COND (<OR <BAD-SEARCH ,WINNER>
|
|
<BAD-SEARCH ,HERE>
|
|
<BAD-SEARCH ,COMP-SEAT-FRONT>
|
|
<BAD-SEARCH ,COMP-SEAT-BACK>>
|
|
<RTRUE>)>
|
|
<TELL CR
|
|
"He casually takes a cigarette and a book of matches from his pocket
|
|
and attempts to light a match, giving up after the fourth try. He
|
|
smiles good-naturedly, and says, \"I should be giving these up
|
|
anyway.\" He returns them to his pocket and continues.">
|
|
<TELL CR CR
|
|
"\"I will come to the point. We are looking for ">
|
|
<COND (<FSET? ,DOCUMENT ,PENBIT>
|
|
<TELL
|
|
"the man who gave you the document. Perhaps you have seen where he
|
|
has gone?\" He eyes you suspiciously, but you are relieved to be able
|
|
to answer him honestly - you have no idea where he's gone.">)
|
|
(T
|
|
<TELL
|
|
"a man - tall, slight, a bit
|
|
disheveled - hurt, perhaps. We believe he may have come this way, and
|
|
we have need to find him, for his own safety.\" He smiles wanly. \"Have
|
|
you seen such a man?\"">)>
|
|
<TELL CR CR>
|
|
<COND (<FSET? ,DOCUMENT ,PENBIT> T)
|
|
(<YES? ,BAD-SPY>
|
|
<CRLF>
|
|
<COND (<OR <IN? ,COMP-BLOOD-STAIN ,HERE>
|
|
<IN? ,STAINED-PAPER-TOWEL ,WINNER>>
|
|
<TELL ,BAD-YES-START CR CR>
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>)
|
|
(T
|
|
<TELL ,BAD-YES-START>
|
|
<TELL " The man pauses for a moment, then looks
|
|
around furtively, but unmistakably, as if he had misplaced something." CR CR>
|
|
<SETG SUSPICION <+ ,SUSPICION 2>>)>)
|
|
(<OR <IN? ,COMP-BLOOD-STAIN ,HERE>
|
|
<IN? ,STAINED-PAPER-TOWEL ,WINNER>>
|
|
<CRLF>
|
|
<TELL
|
|
"You answer negatively with a shake of your head and a curt \"Nobody like
|
|
that has been here. Sorry.\"" CR CR>
|
|
<TELL "He ">
|
|
<COND (<IN? ,COMP-BLOOD-STAIN ,HERE>
|
|
<TELL
|
|
"lowers his eyes to the floor, as if in thought">)
|
|
(T
|
|
<TELL "looks at your hands">)>
|
|
<TELL ", then looks you straight
|
|
in the eye. \"You are certain, then?\" he asks, with a hint of humor - or is
|
|
it disbelief? You again reassure him that you would certainly have noticed
|
|
someone of that description." CR CR>
|
|
<SETG SUSPICION <+ ,SUSPICION 3>>)
|
|
(T
|
|
<CRLF>
|
|
<TELL
|
|
"He looks around again briefly, and nods his head a few times as if
|
|
agreeing with you." CR CR>)>
|
|
<COND (<G? ,SUSPICION 2>
|
|
<TELL
|
|
"\"Well, thank you anyway. We shall be arriving at the checkpoint in a
|
|
few minutes, and then we must conduct our border search - you understand.
|
|
Until then, I would appreciate it if you would remain here.\" He leaves with a
|
|
tip of his hat. As he leaves, he speaks briefly with one of the guards
|
|
stationed in the passageway." CR>
|
|
<SETG BAD-CONFINED T>)
|
|
(T
|
|
<FCLEAR ,COMP-5-DOOR ,OPENBIT>
|
|
<TELL
|
|
"\"Thank you anyway. We shall be arriving shortly at the border, and I
|
|
will see you again at that time.\" He leaves with a tip of his hat,
|
|
closing the door behind him." CR>)>
|
|
<SETG I-FATAL T>
|
|
<SETG BAD-INTERVIEW-FLAG <>>
|
|
<REMOVE ,BAD-SPY>>
|
|
|
|
<GLOBAL BAD-CONFINED <>>
|
|
|
|
<GLOBAL SUSPICION 0>
|
|
|
|
<GLOBAL BAD-YES-START
|
|
"You reply that indeed a wounded man did wander into the compartment,
|
|
apparently looking for someone. A moment later, he was gone. You are
|
|
asked whether he gave you anything, a piece of paper perhaps, but you
|
|
shake your head in the negative.">
|
|
|
|
<OBJECT COMP-BLOOD-STAIN
|
|
(LOC COMP-5)
|
|
(DESC "blood stain")
|
|
(SYNONYM BLOOD STAIN)
|
|
(ADJECTIVE BLOOD)
|
|
(FLAGS NDESCBIT ;INVISIBLE)
|
|
(ACTION COMP-BLOOD-STAIN-F)>
|
|
|
|
<ROUTINE COMP-BLOOD-STAIN-F ()
|
|
<COND (<OR <AND <VERB? CLEAN>
|
|
<EQUAL? ,PRSI ,WET-PAPER-TOWEL>>
|
|
<AND <VERB? CLEAN>
|
|
<NOT ,PRSI>
|
|
<IN? ,WET-PAPER-TOWEL ,WINNER>>>
|
|
<TELL
|
|
"You wipe up the drops of blood; it is unlikely anyone would
|
|
notice the slight discoloration that remains." CR>
|
|
<MOVE ,STAINED-PAPER-TOWEL ,WINNER>
|
|
<REMOVE ,WET-PAPER-TOWEL>
|
|
<REMOVE ,COMP-BLOOD-STAIN>)
|
|
(<OR <AND <VERB? CLEAN>
|
|
<EQUAL? ,PRSI ,PAPER-TOWEL>>
|
|
<AND <VERB? CLEAN>
|
|
<NOT ,PRSI>
|
|
<IN? ,PAPER-TOWEL ,WINNER>>>
|
|
<FSET ,PRSO ,CROSSBIT>
|
|
<TELL
|
|
"The dry towel merely smears the blood around, leaving, in all,
|
|
a bigger mess than when you started." CR>)
|
|
(<VERB? CLEAN>
|
|
<TELL
|
|
"It's a good idea to cover the agent's tracks, but you don't have
|
|
anything suitable for cleaning up the mess." CR>)
|
|
(<AND <VERB? PUT PUT-ON> <EQUAL? ,PRSI ,COMP-BLOOD-STAIN>>
|
|
<TELL
|
|
"You'd only ruin the " D ,PRSO ,PERIOD-CR>)>>
|
|
|
|
<GLOBAL BAD-DISTANCE 0>
|
|
|
|
<ROUTINE I-BAD-WAITS ()
|
|
<COND (<NOT <LOC ,BAD-SPY>> <RTRUE>)
|
|
(<AND <NOT <L? <ABS <- <GETP <LOC ,BAD-SPY> ,P?NS>
|
|
<GETP ,HERE ,P?NS>>>
|
|
,BAD-DISTANCE>>
|
|
<NOT <EQUAL? ,HERE ,COMP-5>>>
|
|
<COND (<OR <EQUAL? ,HERE ,LAVATORY>
|
|
<G? <SETG BAD-WAIT-COUNT <+ ,BAD-WAIT-COUNT 1>> 4>>
|
|
<HLIGHT ,H-BOLD>
|
|
<CRLF>
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>
|
|
<COND (<EQUAL? ,HERE ,LAVATORY>
|
|
<TELL
|
|
"A guard forces his way into the lavatory and leads">)
|
|
(T
|
|
<TELL
|
|
"The man signals to a guard, who arrives and forcibly takes">)>
|
|
<TELL " you to your compartment. \"That is better,\"
|
|
the trench coated man says.">
|
|
<HLIGHT ,H-NORMAL>
|
|
<CRLF>
|
|
<GOTO ,COMP-5 <>>
|
|
<DE-SLOW-CLOCK-QUEUE>
|
|
<BAD-INTERVIEW T>
|
|
<RTRUE>)
|
|
(<NOT <EQUAL? ,BAD-WAIT-COUNT 1>>
|
|
<BOLDTELL <GET ,BAD-WAIT-TBL ,BAD-WAIT-COUNT>>)>)
|
|
(<L? <SETG BAD-DISTANCE <- ,BAD-DISTANCE 1>> 1>
|
|
<BOLDTELL
|
|
"\"Thank you so much for your patience.\" He leads you into your
|
|
compartment and shuts the door.">
|
|
<GOTO ,COMP-5 <>>
|
|
<BAD-INTERVIEW>
|
|
<DE-SLOW-CLOCK-QUEUE>
|
|
<RTRUE>)>>
|
|
|
|
<GLOBAL BAD-WAIT-TBL
|
|
<PLTABLE
|
|
""
|
|
"\"I am in a hurry. If you wouldn't mind...\""
|
|
"The man looks at you impatiently. \"Please...\" he implores."
|
|
"\"I am afraid that you really must come with me.\"">>
|
|
|
|
<GLOBAL BAD-WAIT-COUNT 0>
|
|
|
|
<ROUTINE I-BAD-LAV-WAITS ()
|
|
<COND (<NOT <LOC ,BAD-SPY>> <RTRUE>)
|
|
(<FSET? ,LAVATORY-DOOR ,OPENBIT>
|
|
<BOLDTELL
|
|
"The man in the trench coat takes you by the arm and walks you back to your
|
|
compartment.">
|
|
<GOTO ,COMP-5 <>>
|
|
<BAD-INTERVIEW>
|
|
<DE-SLOW-CLOCK-QUEUE>
|
|
<RTRUE>)
|
|
(<G? <SETG BAD-WAIT-COUNT <+ ,BAD-WAIT-COUNT 1>> 4>
|
|
<BOLDTELL
|
|
"Without warning, the door is knocked open by one of the uniformed guards. The
|
|
man in the trench coat then takes you by the arm and escorts you back to your
|
|
compartment.">
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>
|
|
<GOTO ,COMP-5 <>>
|
|
<BAD-INTERVIEW T>
|
|
<DE-SLOW-CLOCK-QUEUE>
|
|
<RTRUE>)
|
|
(<NOT <EQUAL? ,BAD-WAIT-COUNT 1>>
|
|
<BOLDTELL <GET ,BAD-LAV-WAIT-TBL ,BAD-WAIT-COUNT>>)>>
|
|
|
|
<GLOBAL BAD-LAV-WAIT-TBL
|
|
<PLTABLE
|
|
""
|
|
"There is a knock on the door. \"If you wouldn't mind, I really must speak
|
|
to you.\""
|
|
"\"I really must insist.\" After a moment, the man speaks loudly in
|
|
Frobnian, as if to somebody farther away than yourself."
|
|
"\"If you won't come out, we can arrange something else...\" His voice
|
|
trails off in a rather sarcastic way.">>
|
|
|
|
<OBJECT GRAFFITI
|
|
(LOC LAVATORY)
|
|
(DESC "graffiti")
|
|
(SYNONYM GRAFITTI GRAFFITI WORDS WRITING)
|
|
(FLAGS NDESCBIT)
|
|
(ACTION GRAFFITI-F)>
|
|
|
|
<ROUTINE GRAFFITI-F ()
|
|
<COND (<VERB? READ EXAMINE>
|
|
<TELL
|
|
"The words don't make a lot of sense, and your Frobnian is poor, but it seems
|
|
to say:|
|
|
|
|
|
BORDER ZONE|
|
|
Written by Marc Blank|
|
|
Copyright (c) 1987, Infocom, Inc.|
|
|
" CR>)>>
|
|
|
|
<OBJECT TOWEL-DISPENSER
|
|
(LOC LAVATORY)
|
|
(DESC "towel dispenser")
|
|
(SYNONYM DISPENSER MACHINE)
|
|
(ADJECTIVE TOWEL)
|
|
(FLAGS NDESCBIT CONTBIT SEARCHBIT OPENBIT)
|
|
(CAPACITY 5)
|
|
(ACTION TOWEL-DISPENSER-F)>
|
|
|
|
<ROUTINE TOWEL-DISPENSER-F ()
|
|
<COND (<VERB? EXAMINE>
|
|
<TELL
|
|
"It's your ordinary metal towel dispenser. Here, as in the States, people
|
|
tend to write grafitti on towel dispensers, and this one is no exception.">
|
|
<COND (<IN? ,PAPER-TOWEL ,PRSO>
|
|
<TELL
|
|
" You are in luck - there's at least one paper towel inside.">)
|
|
(T
|
|
<TELL
|
|
" It seems to be empty, which is somehow not surprising.">)>
|
|
<CRLF>)
|
|
(<VERB? OPEN>
|
|
<TELL
|
|
"You can't open it, reminding yourself of how stupid it is that all
|
|
towel dispensers seem to be locked." CR>)
|
|
(<VERB? CLOSE>
|
|
<TELL
|
|
"It already is." CR>)
|
|
(<AND <VERB? PUT> <EQUAL? ,PRSI ,TOWEL-DISPENSER>>
|
|
<COND (<EQUAL? ,PRSO ,DOCUMENT ,SHRED ,SHREDS>
|
|
<MOVE ,PRSO ,PRSI>
|
|
<TELL
|
|
"You carefully place the " D ,PRSO " inside the dispenser." CR>)
|
|
(<EQUAL? ,PRSO ,PAPER-TOWEL>
|
|
<MOVE ,PRSO ,PRSI>
|
|
<TELL
|
|
"You replace the paper towel in the dispenser." CR>)
|
|
(T
|
|
<TELL
|
|
"The opening is too small and narrow for that." CR>)>)
|
|
(<VERB? UNLOCK MUNG KICK HIT>
|
|
<TELL
|
|
"Did it occur to you to simply take the towel rather than vandalizing
|
|
the machine?" CR>)>>
|
|
|
|
<OBJECT PAPER-TOWEL
|
|
(LOC TOWEL-DISPENSER)
|
|
(DESC "paper towel")
|
|
(SYNONYM TOWEL)
|
|
(ADJECTIVE PAPER)
|
|
(FLAGS TAKEBIT)
|
|
(SCENARIO 1)
|
|
(SIZE 2)
|
|
(ACTION PAPER-TOWEL-F)>
|
|
|
|
<ROUTINE PAPER-TOWEL-F ()
|
|
<COND (<VERB? CUT RIP>
|
|
<TELL
|
|
"That won't serve any purpose." CR>)
|
|
(<AND <VERB? PUT PUT-ON>
|
|
<EQUAL? ,PRSO ,DOCUMENT>>
|
|
<TELL "You'd never get away with it." CR>)
|
|
(<AND <VERB? TAKE MOVE>
|
|
<EQUAL? ,PRSO ,PAPER-TOWEL>
|
|
<IN? ,PRSO ,TOWEL-DISPENSER>>
|
|
<TELL
|
|
"You pull out the paper towel - it's the last one." CR>
|
|
<MOVE ,PRSO ,WINNER>)>>
|
|
|
|
<OBJECT STAINED-PAPER-TOWEL
|
|
(DESC "blood-stained paper towel")
|
|
(SYNONYM TOWEL)
|
|
(ADJECTIVE WET BLOOD-STAINED STAINED BLOODY PAPER)
|
|
(FLAGS TAKEBIT)
|
|
(SCENARIO 1)
|
|
(SIZE 4)
|
|
(ACTION PAPER-TOWEL-F)>
|
|
|
|
<OBJECT WET-PAPER-TOWEL
|
|
(DESC "wet paper towel")
|
|
(SYNONYM TOWEL)
|
|
(ADJECTIVE WET PAPER)
|
|
(FLAGS TAKEBIT)
|
|
(SCENARIO 1)
|
|
(SIZE 4)
|
|
(ACTION PAPER-TOWEL-F)>
|
|
|
|
<OBJECT LAV-SINK
|
|
(LOC LAVATORY)
|
|
(DESC "sink")
|
|
(SYNONYM SINK)
|
|
(FLAGS NDESCBIT CONTBIT OPENBIT TRANSBIT SEARCHBIT)
|
|
(CAPACITY 12)
|
|
(ACTION LAV-SINK-F)>
|
|
|
|
<ROUTINE LAV-SINK-F ()
|
|
<COND (<VERB? OPEN CLOSE>
|
|
<TELL "An odd idea." CR>)
|
|
(<VERB? EXAMINE>
|
|
<TELL
|
|
"The sink is hideously dirty and grimy">
|
|
<COND (<FSET? ,LAV-FAUCET ,OPENBIT>
|
|
<TELL ", in spite of the running water">)>
|
|
<TELL "; you hesitate to even consider
|
|
using it.">
|
|
<COND (<FIRST? ,LAV-SINK>
|
|
<TELL " ">
|
|
<FCLEAR ,LAV-SINK ,NDESCBIT>
|
|
<V-EXAMINE>
|
|
<FSET ,LAV-SINK ,NDESCBIT>)
|
|
(T
|
|
<CRLF>
|
|
)>
|
|
<RTRUE>)
|
|
(<AND <VERB? PUT>
|
|
<EQUAL? ,PRSI ,LAV-SINK>
|
|
<G? <GETP ,PRSO ,P?SIZE> 2>>
|
|
<TELL
|
|
"That would only clog the drain, which won't help you, though it
|
|
would make an interesting sort of statement." CR>)
|
|
(<AND <VERB? PUT>
|
|
<EQUAL? ,PRSI ,LAV-SINK>
|
|
<FSET? ,LAV-FAUCET ,OPENBIT>>
|
|
<PERFORM ,V?PUT-UNDER ,PRSO ,LAV-FAUCET>
|
|
<RTRUE>)>>
|
|
|
|
<OBJECT GLOBAL-TAIL
|
|
(LOC GLOBAL-OBJECTS)
|
|
(DESC "man following you")
|
|
(SYNONYM MAN AGENT TAIL)
|
|
(SCENARIO 1)
|
|
(TRANSIENT <PLTABLE PLATFORM-1 PLATFORM-2 PLATFORM-3 PLATFORM-4>)
|
|
(ACTION GLOBAL-TAIL-F)>
|
|
|
|
<ROUTINE GLOBAL-TAIL-F ()
|
|
<COND (<NOT ,FOLLOW-WARNING>
|
|
<TELL
|
|
"You don't see any particular man around here, at least none that you
|
|
recognize." CR>)
|
|
(T
|
|
<TELL
|
|
"You try to find the man who appears to be tailing you, but he has gone
|
|
out of sight." CR>)>>
|
|
|
|
<OBJECT GLOBAL-WATER
|
|
(LOC GLOBAL-OBJECTS)
|
|
(DESC "water")
|
|
(SYNONYM WATER)
|
|
(ADJECTIVE COLD)
|
|
(ACTION GLOBAL-WATER-F)>
|
|
|
|
<ROUTINE GLOBAL-WATER-F ()
|
|
<COND (<NOT <EQUAL? ,HERE ,LAVATORY>>
|
|
<TELL
|
|
"There's no water here." CR>)
|
|
(<VERB? DRINK EAT>
|
|
<TELL "You ">
|
|
<COND (<NOT <FSET? ,LAV-FAUCET ,OPENBIT>>
|
|
<TELL "turn on the faucet and ">)>
|
|
<TELL "take a nice, refreshing drink, after which you
|
|
turn the water back off again." CR>
|
|
<FCLEAR ,LAV-FAUCET ,OPENBIT>)
|
|
(<VERB? WALK>
|
|
<PERFORM ,V?OPEN ,LAV-FAUCET>
|
|
<RTRUE>)
|
|
(<VERB? ON OFF SET OPEN CLOSE>
|
|
<PERFORM ,PRSA ,LAV-FAUCET>
|
|
<RTRUE>)
|
|
(<AND <VERB? PUT PUT-UNDER> <EQUAL? ,PRSI ,GLOBAL-WATER>>
|
|
<COND (<NOT <FSET? ,LAV-FAUCET ,OPENBIT>>
|
|
<TELL
|
|
"There's no water running, so it'll take some time..." CR>)
|
|
(<EQUAL? ,PRSO ,PAPER-TOWEL>
|
|
<TELL
|
|
"You put the " D ,PRSO " under the running water until it's good
|
|
and wet." CR>
|
|
<MOVE ,WET-PAPER-TOWEL <LOC ,PAPER-TOWEL>>
|
|
<THIS-IS-IT ,WET-PAPER-TOWEL>
|
|
<REMOVE ,PAPER-TOWEL>)
|
|
(T
|
|
<TELL
|
|
"There's nothing to be gained by wetting that." CR>)>)>>
|
|
|
|
<OBJECT LAV-FAUCET
|
|
(LOC LAVATORY)
|
|
(DESC "faucet")
|
|
(SYNONYM FAUCET)
|
|
(FLAGS NDESCBIT)
|
|
(ACTION LAV-FAUCET-F)>
|
|
|
|
<ROUTINE LAV-FAUCET-F ()
|
|
<COND (<VERB? EXAMINE>
|
|
<TELL
|
|
"Like much of the rest of Frobnia, you have a choice of cold or cold
|
|
running water - thus, only one faucet.">
|
|
<COND (<FSET? ,PRSO ,OPENBIT>
|
|
<TELL " At the moment, the faucet is
|
|
open and water splashes into the sink and down the drain.">)>
|
|
<CRLF>)
|
|
(<AND <VERB? PUT-UNDER> <EQUAL? ,PRSI ,LAV-FAUCET>>
|
|
<PERFORM ,PRSA ,PRSO ,GLOBAL-WATER>
|
|
<RTRUE>)
|
|
(<OR <VERB? OPEN ON>
|
|
<AND <VERB? SET> <NOT <FSET? ,PRSO ,OPENBIT>>>>
|
|
<COND (<FSET? ,PRSO ,OPENBIT>
|
|
<TELL
|
|
"The pressure is low, but the faucet is quite open." CR>)
|
|
(T
|
|
<FSET ,PRSO ,OPENBIT>
|
|
<TELL
|
|
"You turn the faucet and the cold water starts to flow into the sink.">
|
|
<DOWN-THE-DRAIN ,LAV-SINK 3>
|
|
<CRLF>)>)
|
|
(<OR <VERB? CLOSE OFF>
|
|
<AND <VERB? SET> <FSET? ,PRSO ,OPENBIT>>>
|
|
<COND (<NOT <FSET? ,PRSO ,OPENBIT>>
|
|
<TELL
|
|
"The faucet is already closed." CR>)
|
|
(T
|
|
<FCLEAR ,PRSO ,OPENBIT>
|
|
<TELL
|
|
"You turn off the faucet which, after some dripping, finally obliges." CR>)>)
|
|
>>
|
|
|
|
<OBJECT DOCUMENT
|
|
(DESC "document")
|
|
(SYNONYM PAPER DOCUMENT DRAWING)
|
|
(ADJECTIVE TYPED FRONT)
|
|
(FLAGS TAKEBIT)
|
|
(SIZE 5)
|
|
(SCENARIO 1)
|
|
(ACTION DOCUMENT-F)>
|
|
|
|
<ROUTINE DOCUMENT-F ()
|
|
<COND (<VERB? FOLD>
|
|
<COND (<G? <GETP ,PRSO ,P?SIZE> 4>
|
|
<PUTP ,PRSO ,P?SIZE 2>
|
|
<TELL
|
|
"The document is now folded up." CR>)
|
|
(T
|
|
<TELL
|
|
"It's already folded up as much as it can be." CR>)>)
|
|
(<VERB? UNFOLD>
|
|
<COND (<L? <GETP ,PRSO ,P?SIZE> 4>
|
|
<TELL
|
|
"The document is no longer folded up." CR>
|
|
<PUTP ,PRSO ,P?SIZE 5>)
|
|
(T
|
|
<TOO-LATE>)>)
|
|
(<VERB? RIP MUNG>
|
|
<TELL "You ">
|
|
<COND (<VERB? RIP> <TELL "rip">)
|
|
(T <TELL "cut">)>
|
|
<TELL
|
|
" up the document into a number of pieces, leaving you with a handful
|
|
of shreds." CR>
|
|
<REMOVE ,DOCUMENT>
|
|
<THIS-IS-IT ,SHREDS>
|
|
<MOVE ,SHREDS ,WINNER>)
|
|
(<VERB? EXAMINE READ>
|
|
<COND (<L? <GETP ,PRSO ,P?SIZE> 4>
|
|
<TELL
|
|
"Before you start reading, you first unfold the document." CR CR>
|
|
<PUTP ,PRSO ,P?SIZE 5>)>
|
|
<TELL
|
|
"It's an official document of some kind, though you can't understand a
|
|
word of the contents - it's in Frobnian, naturally, so you wouldn't expect
|
|
to." CR>)
|
|
(<OR <VERB? OPEN CLOSE LOOK-INSIDE>
|
|
<AND <VERB? PUT PUT-ON> <EQUAL? ,DOCUMENT ,PRSI>>>
|
|
<TELL "That's ridiculous." CR>)>>
|
|
|
|
<OBJECT SHRED
|
|
(DESC "shred of the document")
|
|
(SYNONYM SHRED DOCUMENT)
|
|
(ADJECTIVE SMALL WET)
|
|
(FLAGS TAKEBIT)
|
|
(SCENARIO 1)
|
|
(SIZE 1)
|
|
(ACTION SHRED-F)>
|
|
|
|
<ROUTINE SHRED-F ()
|
|
<COND (<VERB? EXAMINE READ>
|
|
<TELL
|
|
"You can tell it's from the original document, though it's hard to
|
|
make much of anything out of the small, wet shred of paper." CR>)>>
|
|
|
|
<OBJECT SHREDS
|
|
(DESC "handful of shreds")
|
|
(SYNONYM SHRED SHREDS HANDFUL PILE PIECES)
|
|
(ADJECTIVE PAPER)
|
|
(FLAGS TAKEBIT)
|
|
(SCENARIO 1)
|
|
(SIZE 1)
|
|
(ACTION SHREDS-F)>
|
|
|
|
<ROUTINE SHREDS-F ()
|
|
<COND (<VERB? EXAMINE READ>
|
|
<TELL
|
|
"There about a dozen of them, none small enough to read which, presumably,
|
|
was the idea." CR>)
|
|
(<VERB? EAT>
|
|
<TELL
|
|
"Just like in the movies, you eat the shreds; they don't go down easy,
|
|
and you hope you won't be seeing them again." CR>
|
|
<REMOVE ,SHREDS>)
|
|
(<AND <VERB? TAKE> <IN? ,PRSO ,LAV-TOILET>>
|
|
<TELL
|
|
"The shreds are wet, now. You can't take them." CR>)>>
|
|
|
|
<OBJECT LAV-MIRROR
|
|
(LOC LAVATORY)
|
|
(DESC "mirror")
|
|
(SYNONYM MIRROR)
|
|
(FLAGS NDESCBIT)
|
|
(ACTION LAV-MIRROR-F)>
|
|
|
|
<ROUTINE LAV-MIRROR-F ()
|
|
<COND (<AND <VERB? PUT-BEHIND> <EQUAL? ,PRSI ,LAV-MIRROR>>
|
|
<TELL "The mirror is flush with the wall." CR>)
|
|
(<VERB? LOOK-INSIDE EXAMINE>
|
|
<TELL
|
|
"You see yourself, of course">
|
|
<COND (<IN? ,CARNATION ,BYSTANDER-CLOTHES>
|
|
<TELL
|
|
", and the mangled carnation on your lapel reminds you of your task">)>
|
|
<TELL ,PERIOD-CR>)
|
|
(<VERB? MUNG KICK>
|
|
<TELL
|
|
"There are enough vandals around without your getting into the act." CR>)>>
|
|
|
|
<OBJECT LAV-WINDOW
|
|
(LOC LAVATORY)
|
|
(DESC "window")
|
|
(SYNONYM WINDOW)
|
|
(ADJECTIVE GRIMY)
|
|
(FLAGS NDESCBIT)
|
|
(ACTION LAV-WINDOW-F)>
|
|
|
|
<ROUTINE LAV-WINDOW-F ()
|
|
<COND (<VERB? LOOK-INSIDE>
|
|
<TELL
|
|
"You can't make out much; the window is much too grimy." CR>)
|
|
(<VERB? OPEN CLOSE>
|
|
<TELL
|
|
"The window here doesn't open or close, which is a shame considering the not
|
|
too pleasant odors contained here. The only ones that ever seem to open are
|
|
those in the compartments." CR>)
|
|
(<VERB? CLEAN>
|
|
<TELL
|
|
"It's good that somebody thought of it, but the grime is on the outside
|
|
and out of reach." CR>)
|
|
(<VERB? MUNG KICK>
|
|
<TELL
|
|
"That would make lots of noise and bring attention to yourself, so you
|
|
reconsider." CR>)>>
|
|
|
|
<GLOBAL BAD-TUNNEL <>>
|
|
|
|
<ROUTINE I-BAD-TUNNEL ()
|
|
<BOLDTELL
|
|
"From the sound of it, the train has just entered a tunnel. If memory
|
|
serves, you should be very near the border now.">
|
|
<SETG BAD-TUNNEL T>
|
|
<RT-QUEUE ,I-BAD-TUNNEL-END 160>
|
|
<RTRUE>>
|
|
|
|
<ROUTINE I-BAD-TUNNEL-END ()
|
|
<HLIGHT ,H-BOLD>
|
|
<TELL CR
|
|
"The train has left the tunnel; these are the final moments
|
|
before arriving at the checkpoint." CR>
|
|
<SETG BAD-TUNNEL <>>
|
|
<COND (<NOT <EQUAL? ,HERE ,LAVATORY>>
|
|
<TELL CR
|
|
"Out of the corner of your eye, you catch a glimpse of someone
|
|
falling from the roof of the train! Though you can't be sure,
|
|
you'd swear it was the American agent.">)>
|
|
<HLIGHT ,H-NORMAL>
|
|
<CRLF>
|
|
<RT-QUEUE ,I-BAD-BORDER 100>>
|
|
|
|
<ROUTINE I-BAD-BORDER ("AUX" ITM TMP)
|
|
<HLIGHT ,H-BOLD>
|
|
<SETG BAD-CONFINED <>>
|
|
;<COND (,DEBUG
|
|
<TELL "[Suspicion: " N ,SUSPICION "]" CR>)>
|
|
<TELL CR
|
|
"The train, without warning, slams on its brakes and comes to a stop at
|
|
the border station. After so many trips, you'd think you were used to
|
|
this jarring moment, but alas, it's always the same." CR>
|
|
<HLIGHT ,H-NORMAL>
|
|
<CRLF>
|
|
<COND (<NOT <EQUAL? ,HERE ,COMP-5>>
|
|
<GOTO ,COMP-5 <>>
|
|
<TELL
|
|
"A guard comes up to you, speaks some gibberish you take for a lower-class
|
|
dialect of Frobnian, and hustles you back to your compartment." CR CR>)>
|
|
<TELL
|
|
"Within seconds, the man in the trench coat along with two uniformed
|
|
guards enter. This border search ritual has become second-nature
|
|
to you, although the man in the coat is a new twist." CR CR>
|
|
<TELL
|
|
"They begin by asking about your trip, your nationality (as if they
|
|
didn't know), and a host of inquiries about currency and other possible
|
|
contraband.">
|
|
<COND (<AND <FSET? ,CARNATION ,WORNBIT>
|
|
<NOT <FSET? ,CARNATION ,HUTBIT>>>
|
|
<TELL " During the questioning, a guard motions to
|
|
the man in the trench coat who then appears to stare straight at your
|
|
clothing, frowning slightly.">
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>)>
|
|
<TELL " Then, as usual, they move on to the possessions." CR>
|
|
<COND (<ULTIMATELY-IN? ,BRIEFCASE ,HERE>
|
|
<MOVE-ALL ,BRIEFCASE ,COMP-SEAT-FRONT>
|
|
<THEY-START-WITH ,BRIEFCASE>
|
|
<SET TMP T>
|
|
<COND (<BAD-SEARCH ,BRIEFCASE>
|
|
<RTRUE>)>)>
|
|
<COND (<ULTIMATELY-IN? ,CAMERA-BAG ,HERE>
|
|
<MOVE-ALL ,CAMERA-BAG ,COMP-SEAT-FRONT>
|
|
<COND (.TMP
|
|
<FINDING-NOTHING ,CAMERA-BAG>)
|
|
(T
|
|
<THEY-START-WITH ,CAMERA-BAG>
|
|
<SET TMP T>)>
|
|
<COND (<BAD-SEARCH ,CAMERA-BAG>
|
|
<RTRUE>)>)>
|
|
<COND (<ULTIMATELY-IN? ,CAMERA ,HERE>
|
|
<COND (.TMP
|
|
<FINDING-NOTHING ,CAMERA>)
|
|
(T
|
|
<THEY-START-WITH ,CAMERA>
|
|
<SET TMP T>)>
|
|
<TELL " The guard examines it for a moment, then
|
|
passes it to the trench coated man." CR>
|
|
<COND (<CAMERA-SEARCH>
|
|
<RTRUE>)>
|
|
<CRLF>)
|
|
(<NOT <ZERO? <LOC ,CAMERA>>>
|
|
<TELL CR CR
|
|
"Just at this moment, another guard enters the compartment, holding your
|
|
camera. He speaks quickly, in Frobnian, then leaves. \"That was very
|
|
careless of you, leaving your camera in the " D <LOC ,CAMERA> ".\"" CR>
|
|
<COND (<CAMERA-SEARCH>
|
|
<RTRUE>)>
|
|
<CRLF>)
|
|
(<OR <ULTIMATELY-IN? ,COLOR-ROLL ,HERE>
|
|
<ULTIMATELY-IN? ,EXPOSED-ROLL ,HERE>>
|
|
<TELL CR CR>
|
|
<COND (<OR <IN? ,COLOR-ROLL ,COMP-SEAT-FRONT>
|
|
<IN? ,EXPOSED-ROLL ,COMP-SEAT-FRONT>>
|
|
<TELL
|
|
"The man in the trench coat looks down at the front facing seat and
|
|
holds up your film, frowning as though puzzled.">)
|
|
(T
|
|
<TELL
|
|
"The guards, who have started looking elsewhere in your compartment, find
|
|
your film and hand it to over to the trench coated man.">)>
|
|
<TELL " \"Now this I find
|
|
peculiar. We find no camera of yours on this train, yet
|
|
here you have film.\" He toys with the film for a moment, then exposes
|
|
it all, handing it finally to one of the guards standing by. \"Let us
|
|
hope that the pictures were not so good anyway.\"">
|
|
<COND (<ULTIMATELY-IN? ,COLOR-ROLL ,HERE>
|
|
<REMOVE ,COLOR-ROLL>)>
|
|
<COND (<ULTIMATELY-IN? ,EXPOSED-ROLL ,HERE>
|
|
<REMOVE ,EXPOSED-ROLL>)>
|
|
<CRLF>)>
|
|
<COND (<AND <L? ,SUSPICION 2>
|
|
,SECOND-ROLL
|
|
<OR <DONT-CONFISCATE ,BRIEFCASE>
|
|
<DONT-CONFISCATE ,COMP-SEAT-BACK>
|
|
<DONT-CONFISCATE ,COMP-SEAT-FRONT>
|
|
<DONT-CONFISCATE ,COMP-RACK>>> T)
|
|
(<AND <G? ,SUSPICION 0>
|
|
<NOT ,SECOND-ROLL> ;"No roll in camera"
|
|
<CONFISCATE-FILM ,BRIEFCASE>> T)
|
|
(<AND <G? ,SUSPICION 1>
|
|
,SECOND-ROLL
|
|
<OR <CONFISCATE-FILM ,BRIEFCASE>
|
|
<CONFISCATE-FILM ,COMP-SEAT-FRONT>
|
|
<CONFISCATE-FILM ,COMP-SEAT-BACK>
|
|
<CONFISCATE-FILM ,COMP-RACK>>> T)
|
|
(<OR <IN? ,COLOR-ROLL ,WINNER>
|
|
<IN? ,EXPOSED-ROLL ,WINNER>>
|
|
<REMOVE-IF-IN? ,COLOR-ROLL ,WINNER>
|
|
<REMOVE-IF-IN? ,EXPOSED-ROLL ,WINNER>
|
|
<TELL CR
|
|
"He then notices the film you're holding, exposes that, and hands it
|
|
over to one of the guards. \"I do not understand why you would be holding
|
|
your film. It is night, and the view... well, the view is not so exciting.
|
|
We can only hope that the pictures here were not so good, eh?\"" CR>)>
|
|
;"Look everywhere else..."
|
|
<COND (<OR <BAD-SEARCH ,LAV-TOILET>
|
|
<BAD-SEARCH ,LAV-SINK>
|
|
<BAD-SEARCH ,LAVATORY>
|
|
<BAD-SEARCH ,TOWEL-DISPENSER>
|
|
<BAD-SEARCH ,WINNER>
|
|
<BAD-SEARCH ,HERE>
|
|
<BAD-SEARCH ,TOILET-KIT>
|
|
<BAD-SEARCH ,COMP-RACK>
|
|
<BAD-SEARCH ,COMP-SEAT-FRONT>
|
|
<BAD-SEARCH ,COMP-SEAT-BACK>
|
|
<BAD-SEARCH ,UNDER-SEAT>>
|
|
<RTRUE>)>
|
|
<TELL CR
|
|
"\"You have been through worse, I am sure.\" The man smiles that unnerving
|
|
smile of his and ">
|
|
<COND (<IN? ,CARNATION ,WINNER>
|
|
<SETG SUSPICION <+ ,SUSPICION 1>>
|
|
<TELL "seems to notice your carnation for the first time">)
|
|
(T
|
|
<TELL "continues">)>
|
|
<TELL ". \"And you have been very patient. Have a pleasant
|
|
journey, and feel free to leave the train, if you wish. We shall be stopping
|
|
here longer than usual today.\" He exits, along with the other guards.">
|
|
<SETG AT-STATION T>
|
|
<RT-QUEUE ,I-GORMNASH 850>
|
|
<I-CLOCKER 240>
|
|
<FCLEAR ,PASS-5 ,TOUCHBIT>
|
|
<FCLEAR ,PASS-6 ,TOUCHBIT>
|
|
<CRLF>>
|
|
|
|
<GLOBAL AT-STATION <>>
|
|
|
|
<ROUTINE DONT-CONFISCATE (OBJ)
|
|
<COND (<OR <IN? ,COLOR-ROLL .OBJ>
|
|
<IN? ,EXPOSED-ROLL .OBJ>>
|
|
<TELL CR
|
|
"The man pauses, then moves to " THE .OBJ ", picking up the film that
|
|
lies there. He rolls it in his hand, then returns it. \"I was
|
|
thinking...\" he starts. He stops for a tense moment, then continues,
|
|
\"I was thinking that perhaps we are on the wrong track.\" And with
|
|
that, he returns the film to its place." CR>)>>
|
|
|
|
<ROUTINE CONFISCATE-FILM (OBJ)
|
|
<COND (<OR <IN? ,COLOR-ROLL .OBJ>
|
|
<IN? ,EXPOSED-ROLL .OBJ>>
|
|
<REMOVE-IF-IN? ,COLOR-ROLL .OBJ>
|
|
<REMOVE-IF-IN? ,EXPOSED-ROLL .OBJ>
|
|
<TELL CR
|
|
"The man pauses, then moves to " THE .OBJ ", picking up the film that
|
|
is ">
|
|
<COND (<FSET? .OBJ ,SURFACEBIT>
|
|
<TELL "sitting there">)
|
|
(T
|
|
<TELL "inside">)>
|
|
<TELL ". \"I am afraid that this film will have to be
|
|
confiscated. We cannot be too careful with potential enemies
|
|
of the state.\"" CR>)>>
|
|
|
|
<ROUTINE REMOVE-IF-IN? (OBJ CNT)
|
|
<COND (<IN? .OBJ .CNT>
|
|
<REMOVE .OBJ>
|
|
<RTRUE>)>>
|
|
|
|
<ROUTINE CAMERA-SEARCH ("AUX" OBJ)
|
|
<TELL CR
|
|
"He smiles at you, but you find it difficult to return the
|
|
gesture. \"You like to take pictures,
|
|
then...\" He pauses, massaging his upper lip between his thumb and
|
|
forefinger, then ">
|
|
<COND (<FSET? ,CAMERA ,OPENBIT> <TELL "looks in">)
|
|
(T <TELL "opens">)>
|
|
<TELL " the back of the camera.">
|
|
<COND (<OR <IN? ,SHRED ,CAMERA>
|
|
<IN? ,SHREDS ,CAMERA>
|
|
<IN? ,DOCUMENT ,CAMERA>>
|
|
<TELL CR CR
|
|
"He shakes his head for a moment, then pulls the " D <FIRST? ,CAMERA> "
|
|
out of the camera. ">
|
|
<TELL ,BAD-END CR CR>
|
|
<JIGS-UP ,EPILOGUE-ASS>
|
|
<RTRUE>)
|
|
(<AND <SET OBJ <FIRST? ,CAMERA>>
|
|
<FSET? .OBJ ,FILMBIT>>
|
|
<COND (<EQUAL? .OBJ ,COLOR-ROLL>
|
|
<SETG SECOND-ROLL ,EXPOSED-ROLL>)
|
|
(T
|
|
<SETG SECOND-ROLL ,COLOR-ROLL>)>
|
|
<REMOVE .OBJ>
|
|
<TELL
|
|
" \"I myself have quite an interest in photography, but as for these
|
|
pictures...\" He pulls the film out of the roll, exposing every
|
|
frame. \"These pictures...\" he continues, \"...were probably not your
|
|
best.\" He hands the exposed film to a guard, who pockets it.">)>
|
|
<RFALSE>>
|
|
|
|
<GLOBAL SECOND-ROLL <>>
|
|
|
|
<ROUTINE FINDING-NOTHING (OBJ)
|
|
<TELL " Seeing nothing of interest there, they continue with the "
|
|
D .OBJ ".">>
|
|
|
|
<ROUTINE THEY-START-WITH (OBJ)
|
|
<TELL CR "They start with the " D .OBJ
|
|
", looking it over, and finally dumping its
|
|
contents onto the front facing seat.">>
|
|
|
|
<ROUTINE BAD-FOUND (ITM CNT)
|
|
<CRLF>
|
|
<COND (<EQUAL? .CNT ,WINNER>
|
|
<COND (,BAD-INTERVIEW-FLAG
|
|
<TELL
|
|
"The man notices what you are carrying, and forces it from your hand.">)
|
|
(T
|
|
<TELL
|
|
"At the signal from a the man in the trench coat, a guard searches you,
|
|
finding the " D .ITM ". Looking pleased, he hands it">)>)
|
|
(<EQUAL? .CNT ,HERE>
|
|
<COND (,BAD-INTERVIEW-FLAG
|
|
<TELL
|
|
"The man sees the " D .ITM " on the floor, and picks it up.">)
|
|
(T
|
|
<TELL
|
|
"One of the guards notices the " D .ITM " sitting on the floor. He
|
|
hands it">)>)
|
|
(<OR <EQUAL? .CNT ,LAVATORY>
|
|
<ULTIMATELY-IN? .CNT ,LAVATORY>>
|
|
<TELL
|
|
"A guard bursts into the room, holding the " D .ITM ". He hands it">)
|
|
(<EQUAL? .CNT ,COMP-RACK ,COMP-SEAT-FRONT ,COMP-SEAT-BACK>
|
|
<TELL
|
|
"One of the guards, who had been searching the " D .CNT ", finds the "
|
|
D .ITM " there and hands it">)
|
|
(T
|
|
<TELL
|
|
"The guard searches for a moment, then finds the " D .ITM " which he
|
|
hands">)>
|
|
<COND (<AND <EQUAL? .CNT ,WINNER ,HERE> ,BAD-INTERVIEW-FLAG>
|
|
<TELL "
|
|
He looks it over and shakes his head. \"I am afraid we shall have to
|
|
discuss this at length,\" he says. He assigns a guard to watch over
|
|
you until the train reaches the station. Once there, you are led into
|
|
a holding room, where you undergo a few hours of detailed interrogation.
|
|
You are finally released, but not before missing your rendezvous." CR CR>
|
|
<JIGS-UP ,EPILOGUE-ASS>)
|
|
(T
|
|
<TELL " to the man in the coat, who shakes
|
|
his head back and forth. ">)>
|
|
<COND (<EQUAL? .CNT ,TOWEL-DISPENSER ,LAV-TOILET>
|
|
<TELL "\"In the " D .CNT
|
|
", how very clever,\" the man begins. ">)>
|
|
<TELL ,BAD-END CR CR>
|
|
<JIGS-UP ,EPILOGUE-ASS>>
|
|
|
|
<GLOBAL BAD-END
|
|
"\"I am afraid you have not been very honest
|
|
with us. We will need to ask some, how to say, more difficult
|
|
questions now.\" He motions to the guards, who lead you into a
|
|
holding area nearby. After hours of questioning, you are
|
|
finally released, but not before missing your rendezvous.">
|
|
|
|
<GLOBAL EPILOGUE-ASS
|
|
"Epilogue|
|
|
|
|
|
Two days later, in your hotel room in Vienna, you notice the headline
|
|
reporting the assassination of the American ambassador to Litzenburg in
|
|
the small border town of Ostnitz. The apparent assassin
|
|
was a member of a radical Islamic group, although details of the plot
|
|
may never be known since the assassin himself was found dead at the
|
|
scene of the crime, an apparent suicide.">
|
|
|
|
<ROUTINE BAD-SEARCH (OBJ "AUX" (FND <>))
|
|
<COND (<IN? ,SHREDS .OBJ>
|
|
<SET FND ,SHREDS>)
|
|
(<IN? ,DOCUMENT .OBJ>
|
|
<SET FND ,DOCUMENT>)
|
|
(<IN? ,SHRED .OBJ>
|
|
<SET FND ,SHRED>)>
|
|
<COND (.FND
|
|
<BAD-FOUND .FND .OBJ>
|
|
<RTRUE>)>>
|
|
|
|
<ROUTINE REMOVE-TO-BOTTOM (OBJ "AUX" N F)
|
|
<SET F <FIRST? .OBJ>>
|
|
<REPEAT ()
|
|
<COND (<NOT .F> <RETURN>)
|
|
(T
|
|
<SET N <NEXT? .F>>
|
|
<COND (<FIRST? .F>
|
|
<REMOVE-TO-BOTTOM .F>)
|
|
(T
|
|
<REMOVE .F>)>
|
|
<SET F .N>)>>
|
|
<REMOVE .OBJ>>
|
|
|
|
<OBJECT BY-GUN
|
|
(LOC LOCAL-GLOBALS)
|
|
(DESC "gun")
|
|
(SYNONYM GUN GUNS)
|
|
(ADJECTIVE MACHINE)
|
|
(ACTION BY-GUN-F)>
|
|
|
|
<ROUTINE BY-GUN-F ()
|
|
<COND (<VERB? TAKE>
|
|
<TELL
|
|
"You're likely to get only the bullets." CR>)
|
|
(T
|
|
<TELL
|
|
"There's nothing useful for you to do with the gun." CR>)>>
|
|
|
|
<OBJECT BY-GUARDS
|
|
(LOC LOCAL-GLOBALS)
|
|
(DESC "guard")
|
|
(SYNONYM GUARD GUARDS)
|
|
(FLAGS PERSON)
|
|
(ACTION BY-GUARDS-F)>
|
|
|
|
<ROUTINE BY-GUARDS-F ()
|
|
<COND (<VERB? PHOTOGRAPH>
|
|
<TELL
|
|
"As you raise your camera, the guard raises his weapon. It would be a shame
|
|
to waste your last picture on him." CR>)
|
|
(<VERB? BRIBE>
|
|
<TELL
|
|
"It's too risky; you'd probably end up in jail." CR>)
|
|
(<HURT? ,PRSO>
|
|
<TELL
|
|
"Don't be ridiculous! You'd only get thrown in jail, and an iron-curtain
|
|
jail at that!" CR>)
|
|
(<VERB? EXAMINE>
|
|
<COND (,AT-STATION
|
|
<TELL
|
|
"The guard is standing just north of your position, and he motions for
|
|
you to exit the train to the south." CR>)
|
|
(T
|
|
<TELL
|
|
"The guards are in uniform and appear to be heavily armed. There is one
|
|
at each end of the passageway; although this train is always heavily guarded,
|
|
today's showing is somewhat unnerving." CR>)>)
|
|
(<AND <VERB? SHOW GIVE>
|
|
<EQUAL? ,PRSO ,DOCUMENT ,SHRED ,SHREDS>>
|
|
<PERFORM ,V?GIVE ,PRSO ,BAD-SPY>
|
|
<RTRUE>)>>
|
|
|
|
<OBJECT SAY-IT-IN-FROBNIAN
|
|
(LOC BRIEFCASE)
|
|
(DESC "tourist guide and phrase book")
|
|
(SYNONYM BOOK GUIDE)
|
|
(ADJECTIVE TOURIST FROBNIAN PHRASE)
|
|
(FLAGS TAKEBIT)
|
|
(SIZE 8)
|
|
(ACTION SAY-IT-IN-FROBNIAN-F)>
|
|
|
|
<ROUTINE SAY-IT-IN-FROBNIAN-F ()
|
|
<COND (<VERB? EXAMINE READ OPEN>
|
|
<CAN-BE-FOUND>)>>
|
|
|
|
<OBJECT PASSPORT
|
|
(LOC BRIEFCASE)
|
|
(DESC "passport")
|
|
(SYNONYM PASSPORT)
|
|
(FLAGS TAKEBIT READBIT)
|
|
(SIZE 6)
|
|
(ACTION PASSPORT-F)>
|
|
|
|
<ROUTINE PASSPORT-F ()
|
|
<COND (<VERB? EXAMINE READ>
|
|
<TELL
|
|
"It's yours, all right, and it hasn't changed since you last looked at
|
|
it." CR>)>>
|
|
|
|
<OBJECT TICKET
|
|
(LOC BRIEFCASE)
|
|
(DESC "train ticket")
|
|
(SYNONYM TICKET)
|
|
(ADJECTIVE TRAIN)
|
|
(FLAGS TAKEBIT)
|
|
(ACTION TICKET-F)>
|
|
|
|
<ROUTINE TICKET-F ()
|
|
<COND (<VERB? EXAMINE READ>
|
|
<TELL
|
|
"It's your ticket out of the country, and is printed in Frobnian." CR>)>>
|
|
|
|
<OBJECT PLAT-TRAIN
|
|
(LOC LOCAL-GLOBALS)
|
|
(DESC "train")
|
|
(SYNONYM TRAIN)
|
|
(ACTION PLAT-TRAIN-F)>
|
|
|
|
<ROUTINE PLAT-TRAIN-F ()
|
|
<COND (<VERB? EXAMINE>
|
|
<TELL
|
|
"The train is stopped here at the station. There are four cars in
|
|
all, and a guard is posted at each entrance to prevent the passengers
|
|
from reboarding until the train is ready to get underway again. You've
|
|
never understood this procedure, but that's nothing new in Frobnia." CR>)
|
|
(<VERB? BOARD ENTER CLIMB-ON>
|
|
<TELL
|
|
"You are stopped by one of the guards. \"Nye mneshna pletska bli!\"" CR>)>>
|
|
|
|
<ROUTINE I-GORMNASH ()
|
|
<HLIGHT ,H-BOLD>
|
|
<TELL CR
|
|
"The train's conductor cries \"Gormnash floogle nomnetz!\" indicating
|
|
that the train is ready to leave. ">
|
|
<COND (<FSET? ,HERE ,PLATFORMBIT>
|
|
<TELL "Not wishing to remain here with an
|
|
invalid ticket, you return to the train,">)
|
|
(T
|
|
<TELL "A minute later, the train pulls away from the
|
|
station, and you kick yourself for">)>
|
|
<TELL " having failed to make contact
|
|
with the friendly agent." CR>
|
|
<HLIGHT ,H-NORMAL>
|
|
<CRLF>
|
|
<JIGS-UP ,EPILOGUE-ASS>>
|
|
|
|
|
|
|
|
;"Saying it in frobnian..."
|
|
|
|
<GLOBAL CONTACT <>>
|
|
|
|
<GLOBAL BUMPER-FLAG <>>
|
|
|
|
<GLOBAL CONTACT-WAIT <>>
|
|
|
|
<GLOBAL I-FATAL <>>
|
|
|
|
<GLOBAL PASSWORD-GIVEN <>>
|
|
|
|
<ROUTINE I-PLATFORM ()
|
|
<COND (,CONTACT-WAIT
|
|
<SETG CONTACT-WAIT <>>
|
|
<RFALSE>)
|
|
(,BUMPER-FLAG
|
|
<SETG I-FATAL T>
|
|
<HLIGHT ,H-BOLD>
|
|
<CRLF>
|
|
<COND (<EQUAL? ,BUMPER-FLAG ,CONTACT>
|
|
<COND (<AND <IN? ,COLOR-ROLL <LOC ,BUMPER-FLAG>>
|
|
,PASSWORD-GIVEN>
|
|
<COND (<L? ,SUSPICION 2>
|
|
<SCENE-1-FINISH ,COLOR-ROLL>)
|
|
(T
|
|
<TELL
|
|
"The " D ,BUMPER-FLAG " bends down to pick up the roll of film when
|
|
two men approach, guns raised.">
|
|
<SCENE-1-ARREST>)>
|
|
<RTRUE>)
|
|
(T
|
|
<TELL
|
|
"Your contact looks around nervously, then darts off and out of sight." CR>)>
|
|
<CRLF>
|
|
<TELL
|
|
"Having lost sight of your contact, you have failed in your mission, and
|
|
you return to your train dejectedly." CR CR>
|
|
<JIGS-UP ,EPILOGUE-ASS>)
|
|
(<NOT <IN? ,BUMPER-FLAG ,HERE>>
|
|
<TELL
|
|
"You have walked away from the " D ,BUMPER-FLAG ", who barely seems to
|
|
have noticed.">)
|
|
(T
|
|
<TELL
|
|
"The " D ,BUMPER-FLAG " walks off and is lost in the crowd.">)>
|
|
<REMOVE ,BUMPER-FLAG>
|
|
<SETG BUMPER-FLAG <>>
|
|
<HLIGHT ,H-NORMAL>
|
|
<CRLF>
|
|
<RTRUE>)
|
|
(<AND <IN? ,CARNATION ,BYSTANDER-CLOTHES>
|
|
;"** Increase this with time"
|
|
<PROB ,CONTACT-PROB>>
|
|
<SETG I-FATAL T>
|
|
<HLIGHT ,H-BOLD>
|
|
<TELL CR
|
|
<GETP ,CONTACT ,P?BUMPER>
|
|
" \""
|
|
<GET <GETP ,CONTACT ,P?FROBNIAN> 0>
|
|
"\"">
|
|
<HLIGHT ,H-NORMAL>
|
|
<CRLF>
|
|
<SETG BUMPER-FLAG ,CONTACT>
|
|
<MOVE ,BUMPER-FLAG ,HERE>)
|
|
(<PROB 50>
|
|
<SETG CONTACT-PROB <+ ,CONTACT-PROB 10>>
|
|
<SETG I-FATAL T>
|
|
<SETG BUMPER-FLAG <PICK-WRONG-BUMPER>>
|
|
<FSET ,BUMPER-FLAG ,TOUCHBIT>
|
|
<HLIGHT ,H-BOLD>
|
|
<TELL CR
|
|
<GETP ,BUMPER-FLAG ,P?BUMPER>
|
|
" \""
|
|
<GET <GETP ,BUMPER-FLAG ,P?FROBNIAN> 0>
|
|
"\"">
|
|
<HLIGHT ,H-NORMAL>
|
|
<CRLF>
|
|
<MOVE ,BUMPER-FLAG ,HERE>)
|
|
(T
|
|
<SETG CONTACT-PROB <+ ,CONTACT-PROB 10>>
|
|
<RFALSE>)>>
|
|
|
|
<GLOBAL CONTACT-PROB 25>
|
|
|
|
<ROUTINE PICK-WRONG-BUMPER ("AUX" TMP)
|
|
<REPEAT ()
|
|
<COND (<NOT <EQUAL? <SET TMP <PICK-ONE ,BUMPERS>> ,CONTACT>>
|
|
<RETURN .TMP>)>>>
|
|
|
|
<GLOBAL BUMPERS <LTABLE 0
|
|
OLD-MAN
|
|
YOUNG-BOY
|
|
RUSSIAN-GUARD
|
|
SMALLISH-WOMAN
|
|
YOUNG-GIRL>>
|
|
|
|
<OBJECT YOUNG-GIRL
|
|
(DESC "young girl")
|
|
(SYNONYM GIRL)
|
|
(ADJECTIVE YOUNG)
|
|
(BDESC
|
|
"The young girl is holding the hand of her mother, tugging gently.
|
|
She seems distracted, as young girls will be.")
|
|
(BUMPER
|
|
"A young girl, holding her mother's hand, walks into you and stumbles.
|
|
She says, meekly,")
|
|
(FROBNIAN <PTABLE "Pripsa dazi, vaz!"
|
|
"Pardon me, sir.">)
|
|
(ACTION BUMPER-F)>
|
|
|
|
<OBJECT OLD-MAN
|
|
(DESC "old man")
|
|
(SYNONYM MAN)
|
|
(ADJECTIVE OLD)
|
|
(BDESC
|
|
"The man is old and infirm. He apparently can't see too well, for he is
|
|
constantly squinting. He also appears to be mumbling to himself.")
|
|
(BUMPER
|
|
"An old man seems to walk right into you. He adjusts his glasses and
|
|
says")
|
|
(FROBNIAN <PTABLE "Pripsa dazi!"
|
|
"Pardon me.">)
|
|
(ACTION BUMPER-F)>
|
|
|
|
<OBJECT YOUNG-BOY
|
|
(DESC "young boy")
|
|
(SYNONYM BOY)
|
|
(ADJECTIVE YOUNG)
|
|
(BDESC
|
|
"The boy is looking rather ashamed at having bumped into you. He
|
|
clearly recognizes you as a stranger, and starts to look away.")
|
|
(BUMPER
|
|
"A young boy, perhaps twelve years old, backs into you. He bows,
|
|
saying")
|
|
(FROBNIAN <PTABLE "Hartzi dazi!"
|
|
"Forgive me.">)
|
|
(ACTION BUMPER-F)>
|
|
|
|
<OBJECT RUSSIAN-GUARD
|
|
(DESC "Russian soldier")
|
|
(SYNONYM SOLDIER)
|
|
(ADJECTIVE RUSSIAN)
|
|
(BDESC
|
|
"He stares you down as you look clearly at him, but his face reveals
|
|
nothing more than his words.")
|
|
(BUMPER
|
|
"A stern-faced Russian soldier brushes into you. He leers at you, spits,
|
|
and says")
|
|
(FROBNIAN <PTABLE "Vinchim dorn!"
|
|
"You are in my way!">)
|
|
(ACTION BUMPER-F)>
|
|
|
|
<OBJECT SMALLISH-WOMAN
|
|
(DESC "smallish woman")
|
|
(SYNONYM WOMAN)
|
|
(ADJECTIVE SMALLISH)
|
|
(BDESC
|
|
"She averts her gaze as you attempt to get a better look at her. You
|
|
can tell she's fairly young and quite beautiful.")
|
|
(BUMPER
|
|
"A smallish woman, in peasant dress, bumps into you. She looks at you
|
|
fiercely and says")
|
|
(FROBNIAN <PTABLE "Oopzi dazi. Izi slep!"
|
|
"Excuse me. I am sorry.">)
|
|
(ACTION BUMPER-F)>
|
|
|
|
<ROUTINE SCENE-1-ARREST ()
|
|
<TELL "
|
|
\"Nye yensk. Ouzna gotcha!\" he says. You don't recognize the
|
|
first sentence, but the second is practically the national motto.
|
|
A moment later, the man in the trench coat arrives. \"You have
|
|
been quite clever,\" he begins, \"but I'm afraid you have given
|
|
yourself away.\" He smiles, as the two of you are hustled off
|
|
to an interrogation room.">
|
|
<TELL CR CR
|
|
"You are charged with espionage, but after a few months
|
|
and with the intervention of the American consulate, you are finally
|
|
released." CR CR>
|
|
<FINISH>>
|
|
|
|
<ROUTINE BUMPER-F ()
|
|
<COND (<AND <VERB? FOLLOW> <NOT <IN? ,PRSO ,HERE>>>
|
|
<COND (<FSET? ,PRSO ,TOUCHBIT>
|
|
<TELL
|
|
"It's no good; you've lost sight of the " D ,PRSO "." CR>)
|
|
(T
|
|
<TELL
|
|
"You haven't seen that person, at least not yet." CR>)>)
|
|
(<AND <VERB? GIVE SHOW> <GETP ,PRSI ,P?BUMPER>>
|
|
<COND (<G? ,SUSPICION 0>
|
|
<TELL
|
|
"You start to hand the " D ,PRSO " to the " D ,PRSI ", when a
|
|
man steps up behind you and places a gun in the small of your back.">
|
|
<SCENE-1-ARREST>)
|
|
(<AND <EQUAL? ,BUMPER-FLAG ,CONTACT> ,PASSWORD-GIVEN>
|
|
<COND (<L? <WEIGHT ,PRSO> 20>
|
|
<SCENE-1-FINISH>)
|
|
(T
|
|
<TELL
|
|
"The " D ,BUMPER-FLAG " looks horrified at the size of your delivery,
|
|
waving you off and moving away; so near to your goal, but you have
|
|
failed!" CR CR>
|
|
<JIGS-UP ,EPILOGUE-ASS>)>
|
|
<RTRUE>)
|
|
(T
|
|
<TELL
|
|
"The " D ,BUMPER-FLAG " looks at you suspiciously, and fends you
|
|
off with a wave of the hand and the words \"Nyep. Prep tipna.\"" CR>
|
|
<BAD-ARREST?>
|
|
<RTRUE>)>)
|
|
(<AND <VERB? EXAMINE> <GETP ,PRSO ,P?BDESC>>
|
|
<TELL <GETP ,PRSO ,P?BDESC> CR>)>>
|
|
|
|
<ROUTINE SCENE-1-FINISH ("OPTIONAL" (OBJ <>) "AUX" PHOTO)
|
|
<COND (<NOT .OBJ> <SET OBJ ,PRSO>)>
|
|
<TELL
|
|
"The " D ,CONTACT " surreptitiously takes the " D .OBJ " and hides
|
|
it under some clothes. A moment later, your contact is gone, lost in
|
|
the crowd." CR>
|
|
<COND (<AND <OR <EQUAL? .OBJ ,COLOR-ROLL>
|
|
<IN? ,COLOR-ROLL .OBJ>>
|
|
<OR <EQUAL? <GET <SET PHOTO <GETP ,COLOR-ROLL ,P?PHOTO>>
|
|
0>
|
|
,DOCUMENT>
|
|
<EQUAL? <GET .PHOTO 1>
|
|
,DOCUMENT>>
|
|
<NOT ,FILM-RUINED>>
|
|
<TELL CR
|
|
"You congratulate yourself on your good work, and happily reboard the
|
|
train for Vienna, wondering what it was all about and what, if any,
|
|
fruits your efforts have borne." CR CR>
|
|
<JIGS-UP
|
|
"|
|
|
Epilogue|
|
|
|
|
|
Two days later, in your hotel room in Vienna, you notice a headline
|
|
referring to an attempted assassination of a high-ranking American
|
|
diplomat in the small border town of Ostnitz, Litzenburg. Accounts
|
|
were sketchy, but it appears as if local police were tipped off about
|
|
the impending attack in time to prevent it.|
|
|
|
|
|
Congratulations! You get no medals, but you've successfully finished
|
|
the first chapter of Border Zone. The story continues with Chapter 2:
|
|
The Border. To start, type CONTINUE at the next prompt.
|
|
|
|
|
" 2>)
|
|
(T
|
|
<JIGS-UP ,EPILOGUE-ASS>
|
|
<RTRUE>)>>
|
|
|
|
<BUZZ OOPZI DAZI IZI SLEP POPKA IZIM HARTZI PRIPSA
|
|
BESNAP BELBOZ BRZNI>
|
|
|
|
<GLOBAL FROBNIAN
|
|
<PLTABLE <PTABLE <PLTABLE W?HARTZI W?DAZI> FZ-EXCUSES>
|
|
<PTABLE <PLTABLE W?OOPZI W?DAZI> FZ-EXCUSES>
|
|
<PTABLE <PLTABLE W?PRIPSA W?DAZI> FZ-EXCUSES>
|
|
<PTABLE <PLTABLE W?POPKA W?IZIM> FZ-MY-FAULT>>>
|
|
|
|
<GLOBAL BUMPER-ACTIONS 0>
|
|
|
|
<ROUTINE BAD-ARREST? ()
|
|
<SETG BUMPER-ACTIONS <+ ,BUMPER-ACTIONS 1>>
|
|
<COND (<AND <G? ,SUSPICION 1>
|
|
<G? ,BUMPER-ACTIONS <- 4 ,SUSPICION>>>
|
|
<TELL CR
|
|
"A man walks up behind you, shoves a gun into the small of your back,
|
|
and asks you to walk with him. You can hardly refuse, and you are led
|
|
to a small back room at the station where you are greeted by the man
|
|
in the trench coat. \"We meet again,\" he says, \"and it appears that
|
|
you have been ">
|
|
<COND (<AND ,BAD-SPEAKING <PROB 50>>
|
|
<TELL "conversing">)
|
|
(<PROB 60>
|
|
<TELL "consorting">)
|
|
(T
|
|
<TELL "molesting">)>
|
|
<TELL " with Frobnian nationals. This is not allowed,
|
|
as you must know.\"" CR>
|
|
<TELL CR
|
|
"You are questioned continuously just until your train is ready to depart,
|
|
and as an added security measure, you are escorted back to your compartment.
|
|
You realize that you must have done something to have raised the Frobnians'
|
|
suspicion of you, but it is too late now. You have missed your
|
|
rendezvous!" CR CR>
|
|
<FINISH>)>>
|
|
|
|
<ROUTINE FZ-EXCUSES ()
|
|
<COND (,BUMPER-FLAG
|
|
<TELL
|
|
"The " D ,BUMPER-FLAG " seems to understand your apology and nods in
|
|
acknowledgement." CR>
|
|
<BAD-ARREST?>
|
|
<SETG BAD-SPEAKING T>
|
|
<RTRUE>)
|
|
(T
|
|
<TELL ,NO-FROBNIAN CR>)>>
|
|
|
|
<GLOBAL BAD-SPEAKING <>>
|
|
|
|
<ROUTINE FZ-MY-FAULT ()
|
|
<COND (<IN? ,CONTACT ,HERE>
|
|
<SETG CONTACT-WAIT T>
|
|
<SETG PASSWORD-GIVEN T>
|
|
<TELL
|
|
"The " D ,CONTACT " makes eye contact, then looks away, nervously.
|
|
You are evidently not what was expected." CR>
|
|
<BAD-ARREST?>)
|
|
(T
|
|
<FZ-EXCUSES>)>>
|
|
|
|
<GLOBAL NO-FROBNIAN
|
|
"Nobody responds. Maybe it is your accent, or maybe you should reread
|
|
your phrase book, or just maybe nobody's interested.">
|
|
|
|
<ROUTINE SIIF ("AUX" PTR (LEN 0) FLEN (FOFF 0) FEXP TMP FWRD FWLEN)
|
|
<SET PTR <GET ,OOPS-TABLE ,O-CONT>>
|
|
<SET TMP <GET ,OOPS-TABLE ,O-LEN>>
|
|
<REPEAT ()
|
|
<COND (<OR <EQUAL? <GET ,P-LEXV .PTR> ,W?QUOTE>
|
|
<L? <SET TMP <- .TMP 1>> 0>>
|
|
<RETURN>)
|
|
(T
|
|
<SET LEN <+ .LEN 1>>
|
|
<SET PTR <+ .PTR 2>>)>>
|
|
<SET FLEN <GET ,FROBNIAN 0>>
|
|
<REPEAT ()
|
|
<COND (<G? <SET FOFF <+ .FOFF 1>> .FLEN>
|
|
<COND (,BUMPER-FLAG
|
|
<TELL
|
|
"The " D ,BUMPER-FLAG " looks confused. It doesn't appear that your
|
|
Frobnian has made a big impression." CR>
|
|
<SETG BAD-SPEAKING T>
|
|
<BAD-ARREST?>)
|
|
(T
|
|
<TELL ,NO-FROBNIAN CR>)>
|
|
<RTRUE>)
|
|
(T
|
|
<SET FEXP <GET ,FROBNIAN .FOFF>>
|
|
<COND (<EQUAL? <SET FWLEN
|
|
<GET <SET FWRD <GET .FEXP 0>>
|
|
0>>
|
|
.LEN>
|
|
;"Right length"
|
|
<SET TMP 0>
|
|
<SET PTR <GET ,OOPS-TABLE ,O-CONT>>
|
|
<REPEAT ()
|
|
<COND (<G? <SET TMP <+ .TMP 1>> .FWLEN>
|
|
<SET TMP -1>
|
|
<RETURN>)
|
|
(<EQUAL? <GET .FWRD .TMP>
|
|
<GET ,P-LEXV .PTR>>
|
|
<SET PTR <+ .PTR 2>>)
|
|
(T
|
|
<RETURN>)>>
|
|
<COND (<L? .TMP 0>
|
|
<SET FOFF -1>)>)>)>
|
|
<COND (<L? .FOFF 0>
|
|
<APPLY <GET .FEXP 1>>
|
|
<RTRUE>)>>> |